“You used the word ‘civilization,’ which means a set of abstractions, symbols, conventions. Experience tends to be vicarious; emotions are predigested and electrical; ideas become more real than things.”

Source: The Gray Prince (1975 [serialized 1974]), Chapter 4 (p. 48)

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Jack Vance213

American mystery and speculative fiction writer 1916–2013

Franz Kline (1910–1962) American painter

1958
1960's, Talks with Seventeen Artists, 1962

“There is no such thing as vicarious experience.”

Mary Parker Follett (1868–1933) American academic

Attributed to Follett in: Michele Barrett (1991). The Politics of Truth: From Marx to Foucault. p. 189
Attributed from postum publications

“From the internal reality, by which I means the totality of psychological experiences, it [science] actually separates us. Art, for example, deals with many more aspects of this internal reality than does science, which confines itself deliberately and by convention to the study of one very limited class of experiences—the experiences of sense.”

Aldous Huxley (1894–1963) English writer

“One and Many,” p. 5–6
Do What You Will (1928)

“[A]ll our symbols have the same purpose; words are merely the symbols we use most commonly. The function of words in human thought is to stand for things which are not present to the senses, and allow the mind to manipulate them—things, concepts, ideas, everything that does not have a physical reality in front of us now.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Imaginative Mind in Art" (1978)

“ Citizens of a modern society need […] more than that ordinary "common sense" which was defined by Stuart Chase as that which tells you that the world is flat. They need to be systematically aware of the powers and limitations of symbols, especially words, if they are to guard against being driven into complete bewilderment by the complexity of their semantic environment. The first of the principles governing symbols is this: The symbol is NOT the thing symbolized; the word is NOT the thing; the map is NOT the territory it stands for. (editor's link)”

S. I. Hayakawa book Language in Thought and Action

See also: The Meaning of Meaning (1923)
See also: Science and Sanity (1933)
Source: Language in Thought and Action (1949), The Word Is Not the Thing, pp. 29-30

“Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Edward Sapir (1884–1939) American linguist and anthropologist

As cited in: Geza Revesz, The Origins and Prehistory of Language, London 1956. footnote pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
Language (1921)

“For this reason, in any cultural development in which the immigrant shares and is a real contributive factor, a way must be found to make his religious beliefs and experience of use. This means more than to permit him to worship in his own way. It means more than toleration. It means the use for America of the finest aspirations and traditions of these men. It means an appreciation of their literature and of the art which has come out of these beliefs.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

“That is the meaning of the coming of Christ.... that the word becomes flesh and man is saved from abstraction.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

Quote of Ball in his Byzantinisches Christentum (Byzantine Christianity), 1923, p. 107; as quoted by Debbie Lewer in 'Papers of Surrealism Issue 6 Autumn 2007', p. 6, note 16
after 1916

“In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained... As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian, ] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931

“There is one term of the problem which you are not taking into account: precisely, the world. The real. You say: the real, the world as it is. But it is not, it becomes! It moves, it changes! It doesn’t wait for us to change... It is more mobile than you can imagine. You are getting closer to this reality when you say as it 'presents itself'; that means that it is not there, existing as an object. The world, the real is not an object. It is a process.”

John Cage (1912–1992) American avant-garde composer

Quote in 'John Cage, For the Birds: John Cage In Conversation with Daniel Charles', London/New York: Marion Boyars, 1981; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d’Art de Catalunya (MNAC ), p. 17, note 10
1980s

“You used the word ‘civilization,’ which means a set of abstractions, symbols, conventions. Experience tends to be vicarious; emotions are predigested and electrical; ideas become more real than things.”

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Jack Vance213

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