Geling Yan quote: “My dream is to write with both pens, in English and Chinese. I want to be more truthful and more straightforward when I…”

“I didn’t want to write it in OED English…As I was writing more and more I was aware that I was having it filtered through to me from various languages, various religions, various countries, and so in a sense I wanted to present it from this Western, global perspective, to try and capture something multicultural.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On the specific English that he chose for his writings in “Daljit Nagra interview: Yoda-speak and Yorkshire voices” https://www.telegraph.co.uk/culture/books/10402180/Daljit-Nagra-interview-Yoda-speak-and-Yorkshire-voices.html in The Telegraph (2013 Oct 24)

“I could only see myself making a living through writing, as I had done in China. But should I write in Chinese here, a foreign land, or enrol in a language class and study English grammar? If I continued to write in Chinese I would have no readers here. Besides, I would never create a community of fellow artists and thinkers in my Western life while speaking Chinese.”

Xiaolu Guo (1973) Chinese-British novelist and film director

Once Upon A Time in the East: A Story of Growing up, Chatto & Windus, 2017, page 259 (ISBN 9781784740689).
Memoir, 2017

“I consider myself as having two selves. One self is Chinese and more delicate, more subtle, in terms of language. But the English self is young and audacious, and I say what I want to say.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)

“It’s frustrating seeing things lost in translation. Some expressions are just so Chinese, or so English, you have to switch your thinking to English in order to write it with spontaneity and naturally.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)

“Women writers should write a lot if they want to write. Take the English women, for example. What amazing workers.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to L.A. Avilova (February 26, 1899)
Letters

“When I started to make translations I was just doing it intuitively, and my tendency was to stick to the original as much as possible. Then I gained more confidence in my own poetry and my own writing and I began to become less concerned about being strictly faithful to the original and more concerned with producing a good poem in English. What I have often found—especially in the translations that are done by scholars—is that they’re very faithful to the content of the original language, but in English they don’t really sound that good as poems.”

Francisco Aragón (1968) poet

On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

“To live and to write, it's all the same, both together, for the pen is my spade”

Imre Kertész book Kaddish for an Unborn Child

Kaddish for a Child Not Born (1990)
Context: To live and to write, it's all the same, both together, for the pen is my spade; when I look ahead I only look back, when I stare at the paper I only see the past: she crossed that bluish green carpet as if she were crossing the sea because she wanted to talk to me, for she found out that I was "B.", author and literary translator, one of whose "works" had read, and which she definitely wanted to discuss with me, she said, and we talked and talked until we talked ourselves into bed — Good God! — and continued to talk even then, uninterrupted.

“Writing in English is like throwing mud at a wall.”

Joseph Conrad (1857–1924) Polish-British writer

“The most original novelist now writing in English.”

Ivy Compton-Burnett (1884–1969) English writer

V. S. Pritchett, quoted in Time, April 4, 1955. http://www.time.com/time/magazine/article/0,9171,866174-2,00.html.
Criticism

“The difficulty of writing English is most tiresome to me. My God! If only we could write this beautiful language of France at all times!”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

La difficulté d'écrire l'anglais m'est extrêmement ennuyeuse. Ah, mon Dieu! si l'on pouvait toujours écrire cette belle langue de France!
Letter to John Foster (7 July 1850)

“My dream is to write with both pens, in English and Chinese. I want to be more truthful and more straightforward when I write in English.”

Help us to complete the source, original and additional information

Geling Yan 13

Related quotes

Related topics