
On staying with Colombia as his subject matter in “Interview: Fernando Botero” http://www.timeoutshanghai.com/features/Art-Art_Features/34176/Interview-Fernando-Botero.html in TimeOut Shanghai (2016 Feb 25)
Nude figures, Mizo bishop's tribute to God https://timesofindia.indiatimes.com/city/guwahati/Nude-figures-Mizo-bishops-tribute-to-God/articleshow/4834560.cms?referral=PM (July 29, 2009)
On staying with Colombia as his subject matter in “Interview: Fernando Botero” http://www.timeoutshanghai.com/features/Art-Art_Features/34176/Interview-Fernando-Botero.html in TimeOut Shanghai (2016 Feb 25)
“I have been accused of being a joker. But the most successful art to me involves humor.”
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers
“My work has always been political, because the choice of being an artist is political in China.”
2000-09, Escape from Propaganda, 2009
Alberto Giacometti (1945), as cited in: Joel Shatzky, Michael Taub (1999), Contemporary Jewish-American Dramatists and Poets. p. 302
The importance of Street Art comes from the fact that this art is available to everyone anywhere, is made from any media using any technique. Street Art lets you do whatever you want in the way you want and do it without asking anybody. This freedom is what makes Street Art unique.
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/
“Art has always been my salvation.”
NOW interview (2004)
Context: Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can't explain — I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I'm here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.
On Charlie Rose, 15 September 1995
Introduction.
On the Complexity of Causal Models (1977)
By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950