“No one can teach you how to compose a shot. You are only guided by an instinct. It has to come from within. I learned cinema by working on my films. The best thing was that I bought my own camera, and since I was working on the digital medium, I had the freedom to experiment, shoot more.”

— Rima Das

SilverScreenIndia Article - Making A Zero Budget Movie: The Tale Of Assamese Filmmaker Rima Das’s ‘Village Rockstars’ - 20 November 2017 https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/ - Archive https://web.archive.org/web/20210728183808/https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/

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Rima Das 5

Indian Assamese film maker 1982

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“When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“My own experience with my films has been that the more I’m left alone, the better I do. It isn’t that I think I’m smarter than anyone, or anything like that. It’s just that whatever my instincts are, it’s better for me to be able to put those into play in my own work.”

Joan Micklin Silver (1935–2020) American film director

Primary Source - Directors Guild of America’s Visual Oral History Program - Interview by Michael Pressman - Chapter 3 - Visual History with Joan Micklin Silver https://www.dga.org/Craft/VisualHistory/Interviews/Joan-Micklin-Silver.aspx?Filter=Full%20Interview - 19 September 2005 - Archive https://web.archive.org/web/20210911133653/https://www.dga.org/Craft/VisualHistory/Interviews/Joan-Micklin-Silver.aspx?Filter=Full+Interview
Secondary Sources -
New York Times article by Anita Gates - Joan Micklin Silver, Director of ‘Crossing Delancey,’ Dies at 85 https://www.nytimes.com/2021/01/01/movies/joan-micklin-silver-dead.html - 1 January 2021 - Archive https://web.archive.org/web/20210911135615/https://www.nytimes.com/2021/01/01/movies/joan-micklin-silver-dead.html
MSN Entertainment article by Tyler Aquilina - Joan Micklin Silver, boundary-breaking director of Crossing Delancey, dies at 85 https://www.msn.com/en-us/movies/news/joan-micklin-silver-boundary-breaking-director-of-crossing-delancey-dies-at-85/ar-BB1cq6Pn - 2 January 2021 - Archive https://web.archive.org/web/20210911134333/https://www.msn.com/en-us/movies/news/joan-micklin-silver-boundary-breaking-director-of-crossing-delancey-dies-at-85/ar-BB1cq6Pn

“My life has been a privilege. I come from a very humble family. No one in my family was an artist or worked in film…I’m not special. I completely understand that what I did, anyone can do it … I learned to do the things I love to do when I didn’t want to do them.”

Edward James Olmos (1947) American actor and director

On his journey as an actor in “Edward James Olmos Reflects on the Legacy of ‘Stand and Deliver,’ Three Decades Later” https://remezcla.com/features/film/edward-james-olmos-stand-and-deliver-30-years/ in Remezcla (2019 May 30)

“My work up to then had been very uneven, I would be good one night, dull the next. Meisner made me aware of how to be consistent in using the best that I have to offer. But I guess nobody can teach you the knack, or whatever it is, that helps you come to life on stage.”

Christopher Lloyd (1938) American actor

New Face: Christopher Lloyd http://www.nytimes.com/1977/06/24/archives/new-face-christopher-lloyd-a-real-happy-end.html (June 24, 1977)

“I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both — this method is wrong. A scene has to have a rhythm of its own, a structure of its own.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“It was very tiny, our house [ St. Prex ], and I had no room for my own, only a window, which I could call mine. But I was so gloomy and unhappy in my soul after all those dreadful experiences, that I was quite content to sit at the window and quietly collect my thoughts and feelings. I had a bit of paint but no easel, so I went into Lausanne – twenty minutes on the train – and bought a small easel from a photographer... It was highly unsuitable for painting but for more than twenty years I have painted my best work on that little easel”

Alexej von Jawlensky (1864–1941) Russian painter

in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186

“I shoot only on film and plate. I don’t touch digital. There are many reasons: mentally it’s very different to work with film. It’s expensive, it’s heavy, so you have to prepare. It’s precious and every photograph you have to say yes! It’s now! There's no fiddling about and fixing it later. I really believe the soul of photography is its relationship with the instant.”

Hélène Binet (1959) Swiss photographer

Source: Ten questions for photographer Hélène Binet http://uk.phaidon.com/agenda/photography/articles/2012/december/06/ten-questions-for-photographer-helene-binet/, Phaidon Press, 6 December 2012.

“It's tough when you started out as young as I did to look back and see how far I've come. I try to be easy on myself and go 'Look man, you were younger, you were learning; you learn, you grow.' But I'm not my best judge. I always feel like my best work is still ahead of me.”

Matt Dillon (1964) American actor

Duane Dudek (October 12, 1995) "The Development of an Actor", Milwaukee Journal Sentinel, p. 1.

“It’s really thrilling to teach somebody all the different things I’ve learned in the past and that I can cull from my own experiences. I’m fortunate to be able to do what I wanted to do most of my life.”

Marta Kristen (1945) Norwegian actress

Source: Marta Kristen and Mark Goddard – Fifty Years Later and Still Lost in Space https://www.popentertainmentarchives.com/post/marta-kristen-and-mark-goddard-fifty-years-later-and-still-lost-in-space (January 15, 2015)

“I am my own experiment. I am my own work of art.”

Madonna (1958) American singer, songwriter, and actress

http://www.girlscantwhat.com/2007/10/15/i-am-my-own-experiment/
Variant: I am my own experiment. I am my own work of art.

“No one can teach you how to compose a shot. You are only guided by an instinct. It has to come from within. I learned cinema by working on my films. The best thing was that I bought my own camera, and since I was working on the digital medium, I had the freedom to experiment, shoot more.”

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Rima Das 5

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