“Culture, ... that standard shield of class, is allowed to surface only in order to become more evidence of ... vanity.”

Synchronicity: Science, Myth, and The Trickster (1990) by Allan Combs & Mark Holland
Context: The universe according to Bohm actually has two faces, or more precisely, two orders. One is the explicate order, corresponding to the physical world as we know it in day-to-day reality, the other a deeper, more fundamental order which Bohm calls the implicate order. The implicate order is the vast holomovement. We see only the surface of this movement as it presents or "explicates" itself from moment to moment in time and space. What we see in the world — the explicate order — is no more than the surface of the implicate order as it unfolds. Time and space are themselves the modes or forms of the unfolding process. They are like the screen on the video game. The displays on the screen may seem to interact directly with each other but, in fact, their interaction merely reflects what the game computer is doing. The rules which govern the operation of the computer are, of course, different from those that govern the behavior of the figures displayed on the screen. Moreover, like the implicate order of Bohm's model, the computer might be capable of many operations that in no way apparent upon examination of the game itself as it progresses on the screen.

Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 48

Conversation of 1934
Personal Recollections (1981)

Paul Churchland. The Engine of Reason, the Seat of the Soul. (1st ed.). MIT Press. 1995. pp. 181: Talking about Freudian analysis.

Summing up the documentation Wonders of the Solar System, episode 5

Left versus Right
1980s–1990s, Compassion Versus Guilt and Other Essays (1987)

Source: Letters to a Young Poet

An A-Z of cultural terms, The Guardian (1992)