"Logic of Discovery or Psychology of Research?", Criticism and the growth of knowledge edited by Imre Lakatos and Alan Musgrave (1970)
Source: 1890s, The Principles of Psychology (1890), Ch. 8
"The Rage of Oriana Fallaci", in The New York Observer (27 January 2003)
Context: Our weakness in the West is born of the fact of so-called "objectivity." Objectivity does not exist. The word is a hypocrisy which is sustained by the lie that the truth stays in the middle. No, sir: Sometimes truth stays on one side only.
Lieutenant Colonel Brian Windham, p. 104
Sharpe (Novel Series), Sharpe's Company (1982)
Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.
"Six Asides About Culture"
Living in Truth (1986)
Context: There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. … Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
Don Orsino (1891)
“It is all that Heaven demands,” she said.
Source: The von Bek family, The War Hound and the World's Pain (1981), Chapter 16 (p. 158)
On the irrelevance of the luminiferous aether hypothesis to physical measurements, in an address at the University of Leiden (5 May 1920)
1920s
