Section 1 : The Meaning of Life
Founding Address (1876), Life and Destiny (1913)
Context: The divine in man is our sole ground for believing that there is anything divine in the universe outside of man. Man is the revealer of the divine.
At bottom, the world is to be interpreted in terms of joy, but of a joy that includes all the pain, includes it and transforms it and transcends it.
The Light of the World is a light that is saturated with the darkness which it has overcome and transfigured.
“The divine in man is our sole ground for believing that there is anything divine in the universe outside of man. Man is the revealer of the divine.
At bottom, the world is to be interpreted in terms of joy, but of a joy that includes all the pain, includes it and transforms it and transcends it.
The Light of the World is a light that is saturated with the darkness which it has overcome and transfigured.”
Section 1 : The Meaning of Life
Life and Destiny (1913)
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Felix Adler 99
German American professor of political and social ethics, r… 1851–1933Related quotes
Section 1 : The Meaning of Life
Founding Address (1876), Life and Destiny (1913)
Context: The divine in man is our sole ground for believing that there is anything divine in the universe outside of man. Man is the revealer of the divine.
At bottom, the world is to be interpreted in terms of joy, but of a joy that includes all the pain, includes it and transforms it and transcends it.
The Light of the World is a light that is saturated with the darkness which it has overcome and transfigured.
Source: 1800s, Auguries of Innocence (1803), Line 56. Compare Psalm 30:5 (KJV): "weeping may endure for a night, but joy cometh in the morning."
Creation Myths (1972), Deus Faber
Context: Always at bottom there is a divine revelation, a divine act, and man has only had the bright idea of copying it. That is how the crafts all came into existence and is why they all have a mystical background. In primitive civilizations one is still aware of it, and this accounts for the fact that generally they are better craftsmen than we who have lost this awareness. If we think that every craft, whether carpenter's or smith's or weaver's, was a divine revelation, then we understand better the mystical process which certain creation myths characterize as God creating the world like a craftsman. By creating the world through such a craft he manifests a secret of his own mysterious skill.
As quoted in Life and Teachings of Giordano Bruno : Philosopher, Martyr, Mystic 1548 - 1600 (1913) by Coulson Turnbull
I and Thou (1923)
Context: The world is not divine sport, it is divine destiny. There is divine meaning in the life of the world, of man, of human persons, of you and of me.
Creation happens to us, burns itself into us, recasts us in burning — we tremble and are faint, we submit. We take part in creation, meet the Creator, reach out to Him, helpers and companions. <!-- § 49
"The Truth of Orthodoxy" as translated in Vestnik of the Russian West European Patriarchal Exarchate (1952)
Context: The greater part of Eastern teachers of the Church, from Clement of Alexandria to Maximus the Confessor, were supporters of Apokatastasis, of universal salvation and resurrection. And this is characteristic of (contemporary) Russian religious thought. Orthodox thought has never been suppressed by the idea of Divine justice and it never forgot the idea of Divine love. Chiefly — it did not define man from the point of view of Divine justice but from the idea of transfiguration and Deification of man and cosmos.
What Will Get Us Ready (1944)
Context: There is very great need to have the unique aspect of spirit in man and its relation to the divine spirit in the universe freshly interpreted in a world that has become bogged down with material conceptions of life and the world.
There is very great need of a more vital grasp of the unique Person at the headwaters of our faith linked up with the Real Presence of the inward Christ who is the Life of our lives…
Campbell follows with a quote from Ovid's Metamorposes, "All things are changing; nothing dies..."
Chapter 2
The Hero with a Thousand Faces (1949)
Context: The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachment to the forms... the two are the terms of a single mythological theme... the down-going and the up-coming (kathados and anodos), which together constitute the totality of the revelation that is life, and which the individual must know and love if he is to be purged (katharsis=purgatorio) of the contagion of sin (disobedience to the divine will) and death (identification with the mortal form).