
“The truth is that everything is risky; life itself is risky.”
Source: Take The Risk (2008), p. 51
Original: (it) La vita è il codice della follia, infinite combinazioni di rischiose azioni.
Source: prevale.net
“The truth is that everything is risky; life itself is risky.”
Source: Take The Risk (2008), p. 51
Choruses from The Rock (1934)
Context: O perpetual revolution of configured stars,
O perpetual recurrence of determined seasons,
O world of spring and autumn, birth and dying!
The endless cycle of idea and action,
Endless invention, endless experiment,
Brings knowledge of motion, but not of stillness;
Knowledge of speech, but not of silence;
Knowledge of words, and ignorance of The Word.
All our knowledge brings us nearer to our ignorance,
All our ignorance brings us nearer to death,
But nearness to death no nearer to God.
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
The cycles of Heaven in twenty centuries
Brings us farther from God and nearer to the Dust.
“My life is a combination of combinations of music and emotions.”
Original: (it) La mia vita è un insieme di combinazioni tra musica ed emozioni.
Source: prevale.net
Original: Sono affascinato da tutto ciò che è rischioso, folle e non ordinario. La vita non è infinita, amo vivere ogni opportunità.
Source: prevale.net
Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible
2000s, The Real Abraham Lincoln: A Debate (2002), The Lincoln-Douglas Debates
“The process of breaking the code was enormously complicated in real life.”
As quoted in "Interview: Morten Tyldum, Graham Moore of The Imitation Game" by PatrickMcD at Hollywood Chicago (11 December 2014)
Context: What is amazing about the story is that the most fantastic things that occur, that people most don't believe, are absolutely true — like the Soviet mole that they allowed to operate within British war intelligence — that was all true. … We condensed the timeline, essentially. The process of breaking the code was enormously complicated in real life. So one of things we wanted to do was open up Turing's story to the audience and make a film about these complicated topics, but at the same time create a narrative that the audience understands, without insulting their intelligence. But the on a broad conceptual level, everything is true.
“… [some code] looks disgusting, but that's life. (1993/6)”
About Code
"Clean Hands Make a Happy Life" (5 October 1961).
Scientology Bulletins