“Of true benevolence, its charms divine,
With other motives to call forth its power,
And its grand triumphs, multiplied beyond
All former bounds, in this its golden age,
Humbly I sing, awed by the holy theme;
A theme exalted, though as yet unsung,
In beauty rich, of inspiration full,
And worthy of a nobler harp than that
From which heroic strains sublimely sound.”

— Carlos Wilcox

Remains of the Rev. Carlos Wilcox: with a memoir of his life (1828), p. 99 https://archive.org/details/remainsofrevcarl00wilc/page/100/mode/2up
Poetry

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Carlos Wilcox 2

American poet 1794–1827

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“I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness of experience emerges a symphony of colours, richer than all, its green speaking of life and strength, its orange speaking of golden content and its purple of resignation and death.”

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“Its always good to have a theme.”

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“Once more my harp awakens; once again,
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“And, after all, the humane spirit, which is the motive power of all true schemes of reform, is, by its very essence, independent of belief in what is commonly called "success."”

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Source: " The Poet of Pessimism https://www.henrysalt.co.uk/library/essay/the-poet-of-pessimism/", Vegetarian Review, August 1896
Context: We work for an ideal, not because we believe the ideal is destined to be triumphant, but because we are impelled so to work, and cannot, without violence to our best instincts, act otherwise. We protest against cruelty and injustice for the same reason, not merely because we feel that the dawn of a better day is at hand, but because such a protest has to be made, and we know intuitively that we must help to make it. Of the event we can have no absolute assurance—it rests for other minds and other hands than our—but we can at least be assured that we have done what was natural and inevitable to us, and that, whether successful or unsuccessful, there was no other course for a thoughtful man to take.

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Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
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“The charm of history and its enigmatic lesson consist in the fact that, from age to age, nothing changes and yet everything is completely different.”

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