
"Black Cultural Nationalism" in The Black Aesthetic (1971)
The Laocoön
1800s
"Black Cultural Nationalism" in The Black Aesthetic (1971)
"Moral Decay" (1937); Later published in Out of My Later Years (1950)
1930s
Context: All religions, arts and sciences are branches of the same tree. All these aspirations are directed toward ennobling man's life, lifting it from the sphere of mere physical existence and leading the individual towards freedom. It is no mere chance that our older universities developed from clerical schools. Both churches and universities — insofar as they live up to their true function — serve the ennoblement of the individual. They seek to fulfill this great task by spreading moral and cultural understanding, renouncing the use of brute force.
The essential unity of ecclesiastical and secular institutions was lost during the 19th century, to the point of senseless hostility. Yet there was never any doubt as to the striving for culture. No one doubted the sacredness of the goal. It was the approach that was disputed.
“When nations grow old, the Arts grow cold,
And Commerce settles on every tree.”
On Art And Artists (1800) 'On the Foundation of the Royal Academy'
“Learn to eat of the tree of Knowledge, and of the tree of Life enjoy the fruit.”
IV. Defense and Support : Building blocks for the O.T.O. Temple
Parsifal and the Secret of the Graal Unveiled (1914)
Context: Closing Word
Learn to eat of the tree of Knowledge, and of the tree of Life enjoy the fruit. Seek both within yourself, and so you recognize them and know their place, you are come to the highest rung of the 12 step ladder.
Through this will the Divine-Love be awoken that does not have a place in the twisted minds of men, but dwells in his heart, from which the salvational current will be born which gives us the vision of the eternal light and annihilates all falsity.
"The eternal-feminine draws us up?!"
Quote (April 1912); as cited in Kandinsky and Klee in Tunisia, Roger Benjamin & Cristina Ashjian; Univ of California Press, 2015, p. 106
In April 1912 Paul Klee spent 16 days with his wife Lily in Paris. They visited the exhibtion of the 'Salon des Independants' of 1912, where works were shown of Delaunay, Seurat and many Cubist works
1911 - 1914
Source: The Good Body
“Science Fiction has rivets, fantasy has trees.”