Fifth Harmony Was Just The Beginning For Lauren Jauregui, Nylon Magazine, September 5, 2018 https://www.youtube.com/watch?v=YtrtUi4Vmnw,
“…Sometimes I’ll do these things for a couple of days then suddenly one day the poem comes out, just like that, in a couple of minutes. I might rewrite it later, a kind of fine tuning, or sometimes I’ll tell the audience it’s a new poem and just perform it to see if it works.”
On his writing process in “Interview with Benjamin Zephaniah” https://www.writersandartists.co.uk/writers/advice/37/a-writers-toolkit/interviews-with-authors/interview-with-benjamin-zephaniah in Writers & Artists
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Benjamin Zephaniah 9
English poet and author 1958Related quotes
“Sometimes it feels like my life is just one long day.”
On rediscovering his huge collection of Jimi Hendrix and Stevie Ray Vaughan posters he had as a teenager
Mayer, John (October 4, 2007). "Proof" http://blog.honeyee.com/john/archives/2006/10/04/index.html Honeyee.com. Retrieved September 4, 2007
Bk. V, Ch. 1
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
Original: (de) Man sollte alle Tage wenigstens ein kleines Lied hören, ein gutes Gedicht lesen, ein treffliches Gemälde sehen und, wenn es möglich zu machen wäre, einige vernünftige Worte sprechen.
“I’ll play it and tell you what it is later.”
In [So What: The Life of Miles Davis, John, Szwed, Random House, 2012, 9781448106462], and in many other books https://www.google.com/search?tbm=bks&hl=en&q=%22play+anything+on+a+horn%22+miles+davis#hl=en&q=%22+and+tell+you+what+it+is+later.+%22+miles+davis&tbm=bks
Sometimes rendered as: I'll play it first and tell you what it is later.
During a recording session for Prestige, on the album "Relaxin' with the Miles Davis Quintet" (1956).
1950s
Paris Review interview (1996)
Context: In the long poem, if there is a single governing image at the center, then anything can fit around it, meanwhile allowing for a lot of fragmentation and discontinuity on the periphery. Short poems, for me, are coherences, single instances on the periphery of a nonspecified center. I revise short poems sometimes for years, whereas, since there is no getting lost in the long poem, I engage whatever comes up in the moment and link it with its moment.
Never Scared (HBO, 2004)
Nicholas Sparks, Chapter 12, p. 206
2000s, Three Weeks with My Brother (2004)
“Bad days, good days, ‘I’ll cut you if you look at me the wrong way’ days. I’ll take them all.”
Source: Gunmetal Magic
On how poems might be structured around a political theme in “JERICHO BROWN in conversation with MICHAEL DUMANIS” http://www.benningtonreview.org/jericho-brown-interview in Bennington Review (2018 Oct 27)