“Mankind undervalues VISUALIZATION, because we have been lead to believe that thoughts are the cast off abstractions of the brain. But visualization is source's attribute of creation which is acting through the mind of mankind. As extensions of source, whenever we visualize, we bring forth the essence of what we visualize into visible, tangible, physical experience. No form ever came into existence without someone consciously holding a picture of that form first in his or her thoughts.”

— Teal Swan

Last update Feb. 2, 2025. History

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Teal Swan 226

American spiritual teacher 1984

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“The main objection to the theory of pure visualization is our thesis that the non-Euclidean axioms can be visualized just as rigorously if we adjust the concept of congruence. This thesis is based on the discovery that the normative function of visualization is not of visual but of logical origin and that the intuitive acceptance of certain axioms is based on conditions from which they follow logically, and which have previously been smuggled into the images. The axiom that the straight line is the shortest distance is highly intuitive only because we have adapted the concept of straightness to the system of Eucidean concepts. It is therefore necessary merely to change these conditions to gain a correspondingly intuitive and clear insight into different sets of axioms; this recognition strikes at the root of the intuitive priority of Euclidean geometry. Our solution of the problem is a denial of pure visualization, inasmuch as it denies to visualization a special extralogical compulsion and points out the purely logical and nonintuitive origin of the normative function. Since it asserts, however, the possibility of a visual representation of all geometries, it could be understood as an extension of pure visualization to all geometries. In that case the predicate "pure" is but an empty addition, since it denotes only the difference between experienced and imagined pictures, and we shall therefore discard the term "pure visualization."”

Hans Reichenbach (1891–1953) American philosopher

Instead we shall speak of the normative function of the thinking process, which can guide the pictorial elements of thinking into any logically permissible structure.
The Philosophy of Space and Time (1928, tr. 1957)

“We are frequently faced with the necessity of looking for the picture required for the visualization of an object, not in the perception of this particular object, but in a different perceptual image. …we can assert the discrepancy between the perceived picture and the objective state. This discrepancy… proves absolutely nothing against the fact that all visualizations are merely sense qualities of the perceptual space. …If the parallelism is …to be visualized, we must supplement our assertion by the description of certain qualities with which we are familiar from perceptual space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“Even the most purely rational minds who find the universe in "pure thought" are driven against their rational will to visualize this "pure thought" and to give it body and form and shape and movement.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

Source: The Complex Vision (1920), Chapter I
Context: One of the curious psychological facts, in connection with the various ways in which various minds function, is the fact that when in these days we seek to visualize, in some pictorial manner, our ultimate view of life, the images which are called up are geometrical or chemical rather than anthropomorphic. It is probable that even the most rational and logical among us as soon as he begins to philosophize at all is compelled by the necessity of things to form in the mind some vague pictorial representation answering to his conception of the universe.
Most minds see the universe of their mental conception as something quite different from the actual stellar universe upon which we all gaze. Even the most purely rational minds who find the universe in "pure thought" are driven against their rational will to visualize this "pure thought" and to give it body and form and shape and movement.

“Visual forms are not perceived differently from colors or brightness. They are sense qualities, and the visual character of geometry consists in these sense qualities.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“There is no pure visualization in the sense of a priori philosophies; every visualization is determined by previous sense perceptions, and any separation into perceptual space and space of visualization is not permissible, since the specifically visual elements of the imagination are derived from perceptual space. What led to the mistaken conception of pure visualization was rather an improper interpretation of the normative function… an essential element of all visual representations. Indeed, all arguments which have been introduced for the distinction of perceptual space and space of visualization are base on this normative component of the imagination.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“Through imagination, we can visualize the uncredited worlds of potential that lie within us.”

Stephen R. Covey (1932–2012) American educator, author, businessman and motivational speaker

“A glimpse heavenward at a constellation or even at a single star only suggests infinity; actually our vision is limited. We cannot perceive unlimited space; it is immeasurable. The universe, as we know it through our visual experience, is limited. It first came into existence with the formation of matter, and will end with the complete dissolution of matter.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 43
Search for the Real and Other Essays (1948)

“Art is no longer a visual sensation that we gather, like a photograph, as it were, of nature. No, it is a creation of our spirit, for which nature is only the occasion.”

Maurice Denis (1870–1943) French painter

Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
1890 - 1920

“Plays are events in time and space. Plays are music. Word music. Visual music. I’ve always thought of plays as a form of composition—of text and the architecture of the experience of the full-length evening…”

Caridad Svich (1963) American writer

On how she describes plays in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3

“Typography is the craft of endowing human language with a durable visual form.”

Robert Bringhurst The Elements of Typographic Style

Source: The Elements of Typographic Style

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