“You can talk! You can talk! You can talk! You're brave now, motherfucker! Throw his ass out! He's a nigger! He's a nigger! He's a nigger! A nigger, look, there's a nigger! Ooh! Ooh! All right, ya see? It shocks you, it shocks you, to see what's buried beneath, you stupid mother fuckers!”

Laugh Factory incident (2006)

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Michael Richards8

American actor 1949

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Now, this blend of Jewishness and Germanness, on the one hand, and basic negroid stock, on the other, must inevitably give rise to a peculiar product. The fellow’s importunity is also nigger-like. <br class="br"> Marx to Engels in Manchester http://hiaw.org/defcon6/works/1862/letters/62_07_30a.html (30 July 1862), MECW Volume 41, p. 388; first published: abridged in Der Briefwechsel zwischen F. Engels und K. Marx, Stuttgart, 1913, and in full in MEGA, Berlin, 1930.

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“As an artist you can not stand for long in The Netherlands. You must see a lot and talk a lot about everything..”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Als Künstler kann man es nicht lange in Holland aushalten. Mann muss viel sehen und über alles sprechen..
citaat van Jacoba van Heemskerck (vertaling naar het Nederlands, Fons Heijnsbroek): Als kunstenaar kan je het niet lang uithouden in Nederland. Je moet immers veel [kunnen] zien en over van alles praten..
note on a postcard to Herwarth Walden, 17 May 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 12
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“You can talk! You can talk! You can talk! You're brave now, motherfucker! Throw his ass out! He's a nigger! He's a nigger! He's a nigger! A nigger, look, there's a nigger! Ooh! Ooh! All right, ya see? It shocks you, it shocks you, to see what's buried beneath, you stupid mother fuckers!”

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Michael Richards8

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