“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou.'”

— Angelique Rockas

'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!

On the Greek language
Interview on Helenism .net (September 2011)

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“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens, when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the Greek language
Interview on Helenism .net (September 2011)

“Plead, Sleep, my cause, and make her soft like thee,
That she in peace may wake and pity me.”

Thomas Campion (1567–1620) English composer, poet and physician

Sleep, Angry Beauty

“Lady Cannon's gone to a matinée at the St. James's. We had tickets for the first night, but of course she wouldn't use them then. She preferred to go alone in the afternoon, because she detests the theatre, anyhow, and afternoon performances give her a headache. If she does a thing that's disagreeable to her, she likes to do it in the most painful possible way. She has a beautiful nature.”

Ada Leverson (1862–1933) British writer

Source: Love's Shadow (1908), Chapter ii.

“Once, when she was looking at me distressfully, she murmured, "You — you've no more illusion at all. I pity you!"
At that moment, within the space of a flash, she was thinking of me only, and she pities me! She has found something in her grief to give me.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts

“The rolling wheel, that runneth often round,
The hardest steel in tract of time doth tear;
And drizzling drops, that often do redound,
The firmest flint doth in continuance wear:
Yet cannot I, with many a dropping tear,
And long entreaty, soften her hard heart,
That she will once vouchsafe my plaint to hear,
Or look with pity on my painful smart:
But when I plead, she bids me play my part;
And when I weep, she says, "Tears are but water";
And when I sigh, she says, "I know the art";
And when I wail, she turns herself to laughter;
So do I weep and wail, and plead in vain,
Whiles she as steel and flint doth still remain.”

Edmund Spenser Amoretti

Amoretti (1595), Sonnet XVIII https://www.bartleby.com/358/784.html

“That's when I asked her where was that actress
She said "That was somebody else"
And then I asked her why she looked so happy now
She said "I finally like myself, at last I like myself."”

Harry Chapin (1942–1981) American musician

Sequel
Song lyrics, Sequel (1981)

“But Medea in her chamber, trembling and terror-struck now at what she has done, is encompassed by all her father's threatening rage.”
At trepidam in thalamis et iam sua facta paventem Colchida circa omnes pariter furiaeque minaeque patris habent.

Gaius Valerius Flaccus book Argonautica

Source: Argonautica, Book VIII, Lines 1–3

“She lov'd me for the dangers I had pass'd,
And I lov'd her that she did pity them”

William Shakespeare Othello

Source: Othello

“I muttered a swear word to myself. After I heard Angel cussing like a sailor when she stubbed her toe, my new resolution was to watch my language. All I needed was a six-year-old mutant with a potty mouth”

James Patterson (1947) American author

Source: The Angel Experiment

“People talk about nature as a mother, but to me she's always been Medea, ready and willing to slaughter her children.”

Rachel Caine (1962) American writer

Source: Ill Wind

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