“Who now speaks of the fires in Australia, or remembers that 18 months ago a boat could cross the North Pole because the glaciers had all melted? Who speaks now of the floods? I don’t know if these are the revenge of nature, but they are certainly nature’s responses. Today I believe we have to slow down our rate of production and consumption and to learn to understand and contemplate the natural world. We need to reconnect with our real surroundings.”

translation from Dutch, Fons Heijnsbroek, 2018 <br class="br">version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Ik herinner me, dat ik als jongen in onze museums voor de schilderijen van de oude meesters verstomd stond, zoals ze de natuur tot je lieten spreken. Als ik van iemand geleerd heb de natuur te zien dan is het van onze oude meesters. Maar het meest van de natuur-zelve. <br class="br">in an interview with J.H. Rössing, at the end of his life, c. 1902; as cited in Eind goed Al goed, de carriere van J.H. Weissenbruch https://www.artsalonholland.nl/grote-meesters-kunstgeschiedenis/johan-hendrik-weissenbruch-haagse-school, by Sander Kletter

Source: The Birth of Tragedy

J 65
Aphorisms (1765-1799), Notebook J (1789)
Context: A great speech is easy to learn by heart and a great poem even easier. How hard it would be to memorize as many words linked together senselessly, or a speech in a foreign tongue! Sense and understanding thus come to the aid of memory. Sense is order and order is in the last resort conformity with our nature. When we speak rationally we are only speaking in accordance with the nature of our being. That is why we devise genera and species in the case of plants and animals. The hypotheses we make belong here too: we are obliged to have them because otherwise we would unable to retain things... The question is, however, whether everything is legible to us. Certainly experiment and reflection enable us to introduce a significance into what is not legible, either to us or at all: thus we see faces or landscapes in the sand, though they are certainly not there. The introducion of symmetries belongs here too, silhouettes in inkblots, etc. Likewise the gradation we establish in the order of creatures: all this is not in the things but in us. In general we cannot remember too often that when we observe nature, and especially the ordering of nature, it is always ourselves alone we are observing.

Source: A Monk in the World: Cultivating a Spiritual Life (2003), p. 8

Preface To The 2011 edition, p. xi
The Expanding Circle: Ethics, Evolution, and Moral Progress (1981)

Vitaly Komar, ‎Aleksandr Melamid, ‎JoAnn Wypijewski (1997). Painting by Numbers: Komar and Melamid's Scientific Guide to Art p. 16

Some Dogmas of Religion (1906), p. 165.

All You Can Eat: Greed, Lust and the New Capitalism (2001)