“One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

— Alexander Calder

1920s, Excerpt, Statement on Wire Sculpture (1929)

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Alexander Calder 41

American artist 1898–1976

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“Before, the wire studies were subjective, portraits, caricatures, stylized representations of beasts and humans. But these recent things have been viewed from a more objective angle and although their present size is diminutive, I feel that there is no limitation to the scale to which they can be enlarged... One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

Alexander Calder (1898–1976) American artist

1920s, Statement on Wire Sculpture' (1929)

“The basis of our government being the opinion of the people, the very first object should be to keep that right; and were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Colonel Edward Carrington (16 January 1787) Lipscomb & Bergh ed. 6:57
1780s
Context: The basis of our government being the opinion of the people, the very first object should be to keep that right; and were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter. But I should mean that every man should receive those papers and be capable of reading them.

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

Alexander Calder (1898–1976) American artist

In Montparnasse, I became known as the 'King of Wire'.

Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26

Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

“The control objects model functionality that is not naturally tied to any other object… We do not believe that the best (most stable) systems are built by only using objects that correspond to real-life entities, something that many other object-oriented analysis and design techniques claim… Behavior that we place in control objects will, in other methods, be distributed over several other objects, making it hard to change this behavior.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 133 as cited in: " Object Oriented Software Engineering: A Use Case Driven Approach Ivar Jacobson, et al. (1992) http://tedfelix.com/software/jacobson1992.html", Book review by Ted Felix on tedfelix.com, 2006.

“Turner is my great favourite of all the painters here. He combines the highest poetical imagination with an exquisite feeling for all the truth and individuality of nature; and he has shown that the ideal, as it is called, is not the improving of Nature, but the selecting and combining objects that are most in harmony and character with each other.”

Charles Robert Leslie (1794–1859) British painter (1794-1859)

Autobiographical Recollections of C. R. Leslie with Selections from his correspondence

“Hermeneutics between consenting adults should not, in my view, be the object of any statutory restrictions.”

Ernest Gellner book Anthropology and Politics

Anthropology and Politics (1995)
Context: I do not recommend any legislative action against hermeneutics. I am a liberal person opposed to all unnecessary state limitation of individual liberties. Hermeneutics between consenting adults should not, in my view, be the object of any statutory restrictions. I know, only too well, what it would entail. Hermeneutic speakeasies would spring up all over the place, smuggled Thick Descriptions would be brought in by the lorry-load from Canada by the Mafia, blood and thick meaning would clot in the gutter as rival gangs of semiotic bootleggers slugged it out in a series of bloody shoot-outs and ambushes. Addicts would be subject to blackmail. Consumption of deep meanings and its attendant psychic consequences would in no way diminsh, but the criminal world would benefit, and the whole fabric of civil society would be put under severe strain. Never!

“Decisions should be based on facts, objectively considered — what I call the fact-founded, thought-through approach to decision making.”

Marvin Bower (1903–2003) American business theorist

Source: The Will to Manage (1966), p. 24

“The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.”

Thomas Nagel (1937) American philosopher

"Subjective and Objective," in Mortal Questions, Cambridge University Press, 1979, p. 196.

“I think we should not be in a great rush to deal with this issue. We should be patient and find the most suitable time to do away with the suspension. If we decide to start enrichment in the face of opposition by the West, we must find the best time and the most favorable conditions, and if we decide to work with the West, we must utilize all our capabilities and everything that is in our power to achieve our objectives. We should not rush into this. We must move very carefully, in a very calculated manner.”

Hassan Rouhani (1948) 7th President of Islamic Republic of Iran

Discussing Iran's strategy for advancing its nuclear program against the opposition of the international community
2004 speech to the Supreme Cultural Revolution Council

“In the early days the Cubists' method of grasping an object was to go round and round it; the futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248

“One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

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Alexander Calder 41

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