“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared."”

— Thomas Carlyle

I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.
1880s, Reminiscences (1881)

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Thomas Carlyle 481

Scottish philosopher, satirical writer, essayist, historian… 1795–1881

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“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

“Twiddling is one of my autistic things. I do it to calm me down. I twiddle frantically for a while, and I fantasize about all kinds of things while I twiddle.”

Jonathan Mitchell (1955) American writer and activist

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“I sat down and leaned on my elbows. I thought of myself. Where was I now after all this? What was I going to do in life? I did not know. I would look about and would surely find something.
So, sitting there, I quietly indulged in hopes. I must have no more sadness, no more anguish and fever. If the rest of my life was to pass in calm, in peace, I must go far, far away from all those awful serious things, the sight of which was terrible to bear.”

Henri Barbusse (1873–1935) French novelist

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“And my father and mother strengthened me in this my first impression, saying in my presence, I was intended for some great purpose, which they had always thought from certain marks on my head and breast.”

Nat Turner (1800–1831) American slave rebellion leader

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“My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.”

Marsden Hartley (1877–1943) American artist

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1908 - 1920

“Why did you leave America?
Why did you let me down?
And now that things seem better off,
Why do you come around?
You know I just can't see you now
In my new world crystal ball.
You know I just can't free you now,
That's not my job at all.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Street Choir
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“What an adventure you have thrown me into! Nothing was farther from my thoughts than doing portraits! Now it's all I think about.... and i's all your handiwork”

Jean Dubuffet (1901–1985) sculptor from France

Quote in Dubuffet's letter to American art-promoter Gould, dated 4 August 1946; as cited in Physiognomic Illegibility, by Kent Mitchell Minturn - JEAN DUBUFFET'S POSTWAR PORTRAITS https://www.nyu.edu/gsas/dept/fineart/people/faculty/minturnPDFs/Minturn%20Final%20(low%20res).pdf
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“Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.”

W.B. Yeats book The Winding Stair and Other Poems

V, st. 2
The Winding Stair and Other Poems (1933), Vacillation http://poetry.poetryx.com/poems/1751/

“My main interest right now is to expose the Jews. This is a lot bigger than me. They're not just persecuting me. This is not just my struggle, I'm not just doing this for myself… This is life and death for the world. These God-damn Jews have to be stopped. They're a menace to the whole world.”

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“I will do those things which make me happy today and which I can also live with ten years from now.”

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Source: The Quiet Game

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Thomas Carlyle 481

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