“This is to be a summary poem of the life of the Atlantic coast of this country, nourished by the communications which run down it. Gauley Bridge is inland, but it was created by theories, systems, and workmen from many coastal sections — factors which are, in the end, not regional or national. Local images have one kind of reality. U. S. 1 will, I hope, have that kind and another too. Poetry can extend the document.”

—  Muriel Rukeyser

Note, on "The Book of the Dead"
U.S. 1 (1938), The Book of the Dead

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Muriel Rukeyser 42
poet and political activist 1913–1980

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“Local images have one kind of reality. U.S. 1 will, I hope, have that kind and another too. Poetry can extend the document.”

Muriel Rukeyser (1913–1980) poet and political activist

Note, on "The Book of the Dead"
U.S. 1 (1938), The Book of the Dead
Context: This is to be a summary poem of the life of the Atlantic coast of this country, nourished by the communications which run down it. Gauley Bridge is inland, but it was created by theories, systems, and workmen from many coastal sections — factors which are, in the end, not regional or national. Local images have one kind of reality. U. S. 1 will, I hope, have that kind and another too. Poetry can extend the document.

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“We know that under the image revealed there is another which is truer to reality and under this image still another and yet again still another under this last one, right down to the true image of that reality, absolute, mysterious, which no one will ever see or perhaps right down to the decomposition of any image, of any reality.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

As quoted by the interviewer from the introduction to an Italian publlication of Antonioni's screenplays.
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“The cells and fibers of the brain must carry some kind of individual identification tags, presumably cytochemical in nature, by which they are distinguished one from another almost, in many regions, to the level of the single neurons.”

Roger Wolcott Sperry (1913–1994) American neuroscientist

As quoted in "Brain Wiring by Presorting Axons" by Kazunari Miyamichi and Liqun Luo in Science 325 (5940) (31 July 2009) http://stke.sciencemag.org/cgi/content/summary/sci;325/5940/544

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“I am very interested in memorization which is the process of incorporating a poem, so, I would say the kind of poetry I write is the kind that emphasises the physical qualities of the words.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

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“The U. S. have no choice, other than to gamble. Which could mean they'll be hit by another counter or two. Bradley. Chipped forward, and look at this! It's Julian Green! Would you believe it? The youngster, gives the U. S. hope! Extraordinary! Two, one! The teenager comes up trumps!”

Ian Darke (1950) British association football and boxing commentator

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“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

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“I'm kind of an accidental instrument, really, through which I hope that the judgment and the will of this nation can be expressed.”

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“I have noticed that this kind of fanatic, like every other kind, is in two species: the species which too clearly thinks out its own insane theory, and the species which remains perfectly muddle-headed.”

Hilaire Belloc (1870–1953) writer

Source: The Cruise of the 'Nona (1925), p. 83

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“Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.”

Georges Braque (1882–1963) French painter and sculptor

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“I was the living proof of T. S Eliot's assertion that poetry can communicate before it is understood. the conscious, analytical part of my response was lulled into a kind of stupor by the rhythms and richness of the imagery of the poetry I was reading.”

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