
Jan Patočka, cited in: Paul F.H. Lauxtermann, "Kant, Goethe, and the Mechanization of the World-Picture." in: Schopenhauer’s Broken World-View. Springer Netherlands, 2000. p.9
Indira Gandhi, the former Prime Minister of India quoted in [Cahn, R.W., The Coming of Materials Science, http://books.google.com/books?id=CCmJMr_K5NIC&pg=PA234, 16 March 2001, Elsevier, 978-0-08-052942-4, 272]
Jan Patočka, cited in: Paul F.H. Lauxtermann, "Kant, Goethe, and the Mechanization of the World-Picture." in: Schopenhauer’s Broken World-View. Springer Netherlands, 2000. p.9
"The Greatest of the Monsters", p. 247
Forewords and Afterwords (1973)
Context: I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
Stated by Javier Perez de Cuellar, Secretary General of the United Nations on the occasion of award of the First World Food Prize. Quoted here World Food Prize, Prof. Swaminathan, 1987 World Food Prize Laureate, 25 November 2013, World Food Prize Organization http://www.worldfoodprize.org/Laureates/Past/1987.htm,
Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic
Thirty-Seventh Annual Report of the Massachusetts Agricultural College, (1900), p. 17.
Part V The Reign of Darkness, 3. Diabolic World Empire.
Darkness and the light (1941/42)
1910-14
India's Rebirth
The History and Culture of the Indian People: The Vedic age, ed. R.C. Majumdar https://archive.org/stream/in.ernet.dli.2015.110240/2015.110240.The-Vedic-Age-Vol1_djvu.txt
He is not yet able to see truly in the larger sweeps of consciousness; the group glamour and, of course, the world glamour remain to him as yet a binding and bewildering mystery, but his own immediate way begins to clear, and he stands relatively free from the fog of his ancient and distorting emotional miasmas. Alignment, contact with his soul, and then steadfastness, are the keynotes to success.
Source: Glamour: A World Problem (1950), The Nature of Glamor