“An early morning may look superficially gray, but it is not.... the dew is much more colorful than one would believe, often so strongly that the palette fails.”

— Paul Gabriël

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
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Paul Gabriël 12

painter (1828-1903) 1828–1903

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“An early morning may look superficially gray, but it is not…. the dew is much more colorful than one would believe, often so strongly that the palette fails. (translation from the Dutch original: Fons Heijnsbroek)”

Paul Gabriël (1828–1903) painter (1828-1903)

version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes

“It appears from this inquiry that color and other physiological characters are of a more superficial and accidental nature than was at one time supposed.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 278

“Early, bright, transient, chaste as morning dew,
She sparkled, was exhal'd and went to heaven.”

Edward Young Night-Thoughts

Source: Night-Thoughts (1742–1745), Night V, Line 600.

“At that second exhibition I had to peer into them and look through the grayed color and wonder what it would be like not gray and then wonder what the forms would be like not crabbed by the figures and trees.”

Donald Judd (1928–1994) artist

Donald Judd (1974), as quoted in: Joseph J. Rishel et al. (2009) Cézanne and beyond. p. 94: Talking about the work of Cezanne.
1970s

“Although I can look a bit grumpy myself, I love it when the sun shines in the water, but besides that I think my country is colored and what I particularly noticed when I came from abroad: our country is colored sappy fat, that's why our beautiful- colored and built cattle, their flesh, milk and butter, nowhere you can find this, but they [the cows] are also fed by that sappy, greasy and colored land - I have often heard strangers say, those Dutch painters all paint gray and their land is green.... the more I observe the more colored and transparent nature becomes and then the air seen altogether, something very different and yet so [strong] in harmony, it is delightful when one has learned to see, because that too must be learned, I repeat, our country is not gray, even not in gray weather, the dunes aren't gray either.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900

“She no longer believes very strongly in belief… Belief may be no more, in the end, than a source of energy, like a battery which one clips into an idea to make it run. As happens when one writes: believing whatever has to be believed in order to get the job done.”

J.M. Coetzee book Elizabeth Costello

Elizabeth Costello (2003)

“But the little boy said…
"There are so many colors in the rainbow
So many colors in the morning sun
So many colors in the flowers and I see every one."”

Harry Chapin (1942–1981) American musician

Flowers are Red
Song lyrics, Living Room Suite (1978)

“When the early morning sun
first pierced the grayness in the sky,
a pickerel rose from his watery home
to climb a pine tree, singing.
And high in the branches, he looked upon
the morning's glowing beauty -
the wind-blown ripples on the lake,
dew-freshened flowers and fields below.”

Aaro Hellaakoski (1893–1952) Finnish writer, poet, geographer and teacher

Aaro Hellaakoski. "The song of the pike hauen laulu." Aina Swan Cutler (trans.) in: Aili Jarvenpa, ‎Michael G. Karni (1989), Sampo, the magic mill: a collection of Finnish-American writing.

“I thought that young people had more problems than old people, and I hoped I could last until I was older so I wouldn't have all those problems. Then I looked around and saw that everybody who looked young had young problems and that everybody who looked old had old problems. The "old" problems to me looked easier to take than the "young" problems. So I decided to go gray so nobody would know now old I was and I would look younger to them than how old they thought I was. I would gain a lot by going gray: (1) I would have old problems, which were easier to take than young problems, (2) everyone would be impressed by how young I looked, and (3) I would be relieved of the responsibility of acting young—I could occasionally lapse into eccentricity or senility and no one would think anything of it because of my gray hair. When you've got gray hair, every move you make seems "young" and "spry," instead of just being normally active. It's like you're getting a new talent. So I dyed my hair gray when I was about twenty-three or twenty-four.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 6: Work

“Under the opening eyelids of the morn,
We drove afield; and both together heard
What time the gray-fly winds her sultry horn,
Batt'ning our flocks with the fresh dews of night.”

John Milton Lycidas

Source: Lycidas (1637), Line 26

“An early morning may look superficially gray, but it is not.... the dew is much more colorful than one would believe, often so strongly that the palette fails.”

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