“No story in English literature has intrigued me more than Lewis Carroll’s Alice in Wonderland.”

—  Walt Disney

It fascinated me the first time I read it as a schoolboy and as soon as I possibly could after I started making animated cartoons, I acquired the film rights to it. People in his period had no time to waste on triviality, yet Carroll with his nonsense and fantasy furnished a balance between seriousness and enjoyment which everybody needed then and still needs today.
American Weekly (1946)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "No story in English literature has intrigued me more than Lewis Carroll’s Alice in Wonderland." by Walt Disney?
Walt Disney photo
Walt Disney 102
American film producer and businessman 1901–1966

Related quotes

U.G. Krishnamurti photo

“You know the story of 'Alice in Wonderland'. The red queen has to run faster and faster to keep still where she is. That is exactly what you are all doing. running faster and faster. But you are not moving anywhere.”

U.G. Krishnamurti (1918–2007) Indian philosopher

Part III: Nice Meeting You, and Goodbye
The Courage to Stand Alone (2001)

Lewis Carroll photo

“I do not know if 'Alice in Wonderland' was an original story — I was, at least, no conscious imitator in writing it — but I do know that, since it came out, something like a dozen story-books have appeared, on identically the same pattern.”

Lewis Carroll book Sylvie and Bruno

Preface
Sylvie and Bruno (1889)
Context: I do not know if 'Alice in Wonderland' was an original story — I was, at least, no conscious imitator in writing it — but I do know that, since it came out, something like a dozen story-books have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea' — is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.

David Crystal photo

“The story of the English writing system is so intriguing, and the histories behind individual words so fascinating, that anyone who dares to treat spelling as an adventure will find the journey rewarding.”

David Crystal (1941) British linguist and writer

David Crystal. Spell It Out: The singular story of English spelling. 2012. p. 277-8

Sean O`Casey photo

“If England has any dignity left in the way of literature, she will forget for ever the pitiful antics of English Literature's performing flea.”

Sean O`Casey (1880–1964) Irish writer

Letter to The Daily Telegraph, July 8, 1941; published in The Letters of Sean O'Casey: 1910-41 (New York: Macmillan, 1975) p. 890.
Of P. G. Wodehouse's wartime broadcasts from Berlin.

“…The resistance to English, the fear of English, has made us bad readers of English literature, because of our fear of contaminating the Spanish language, of losing it in the avalanche of North American influence…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On some people’s resistance to reading English literature in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

Eugéne Ionesco photo

“The purpose of the Collège was the demolition of culture, even of surrealism, which they considered too organized. But make no mistake, these people were graduates of the Ecole Normale Supérieure and highly cultured. Their method was based on puns and practical jokes—le canular. There is a great tradition of puns in Anglo-Saxon literature — Shakespeare, Alice in Wonderland — but not in French. So they adopted it. They believed that the science of sciences is the pataphysique and its dogma, le canular.”

Eugéne Ionesco (1909–1994) Romanian playwright

le canular refers to hoaxes, humorous deceptions. -->
The Paris Review interview (1984)

Anthony Burgess photo

“The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Amit Chaudhuri photo

“The detective embodies, even more than the romantic drifter, rationality; this intriguing and apparent dichotomy pertains to a significant part of Bengali children’s literature as well – that ofen, especially in the proliferation of adventure, spy and mystery genres in Bengali in the first half of the twentieth century, children’s literature is not so much an escape from the humanist logos of ‘high’ literary practice, but a coming to its irreducible possibilities from a different direction.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Clearing a Space (2008)

Daniel Suarez photo

“Let me tell you the story of the most successful organism of all time: this is the story of the parasite. … Early on, evolution branched into two distinct paths: independent organisms—those that exist on their own in the natural world—and parasites—organisms that live on other organisms. And it was, by far, the parasites that proved the more successful of the two branches. Today, for every independent organism in nature, there exist three parasites. … These two strains of evolution have been locked in a primordial arms race, constantly evolving to best each other for supremacy of this planet. As parasites evolve to perfect their systems against a species of host, the host evolves to evade their attack. Scientists call this theory of an eternal genetic struggle the Red Queen Hypothesis—a name taken from Lewis Carroll's Through the Looking Glass.”

Daniel Suarez Daemon

Source: Daemon (2006), Chapter 31: Red Queen Hypothesis, Character: Sobol

John Ronald Reuel Tolkien photo

“For myself I would say that more than the interest and uses of the study of Welsh as an adminicle of English philology, more than the practical linguist's desire to acquire a knowledge of Welsh for the enlargement of his experience, more even than the interest and worth of the literature, older and newer, that is preserved in it, these two things seem important: Welsh is of this soil, this island, the senior language of the men of Britain; and Welsh is beautiful.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

English and Welsh (1955)

Related topics