“He thought of a way to state it: Ego is the point of consciousness, the latest term in a continuously expanding series along the line of memory duration. That sounded like a general statement, but he was not sure; he would have to try to formulate it mathematically before he could trust it. Verbal language had such queer booby traps in it.”

— Robert A. Heinlein , book By His Bootstraps

By His Bootstraps (p. 257)
Short fiction, Off the Main Sequence (2005)

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Robert A. Heinlein 557

American science fiction author 1907–1988

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 3, The Dark Thumb Of Fate, p. 47

“Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 4: The Sense of Form (pp. 24-25)

“Consciousness was upon him before he could get out of the way.”

Kingsley Amis (1922–1995) English novelist, poet, critic, teacher

“He would go there and clear up everything, make a statement. What statement? He did not know. He was the statement, and since it was all so clear to him, surely he would be able to make it clear to others.”

Richard Wright (1908–1960) African-American writer

Eight Men (1961)

“Surely every one realizes, at some point along the way, that he is capable of living a far better life than the one he has chosen.”

Henry Miller book Big Sur and the Oranges of Hieronymus Bosch

Source: Big Sur and the Oranges of Hieronymus Bosch

“He fought despairingly to go deeper into the blackness of a sleep, any sleep, even the sleep of death or some form of non-existence, but even with the loss of consciousness he dreamt he was awake, lying on the bed trying desperately to sleep. If he could find some way to prove that time had passed, no matter how short that time, he could tell himself that he had slept and perhaps then, just perhaps, he would feel rested.”

Hubert Selby Jr. book The Room

The Room (1971)

“It appears to me to be indisputable that he who I am to-day derives, by a continuous series of states of consciousness, from him who was in my body twenty years ago. Memory is the basis of individual personality, just as tradition is the basis of the collective personality of a people.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), I : The Man of Flesh and Bone
Context: It appears to me to be indisputable that he who I am to-day derives, by a continuous series of states of consciousness, from him who was in my body twenty years ago. Memory is the basis of individual personality, just as tradition is the basis of the collective personality of a people. We live in memory, and our spiritual life is at bottom simply the effort of our memory to persist, to transform itself into hope, the effort of our past to transform itself into our future.

“Fortune had done him few favors in the past, and he wasn’t sure he trusted it.”

Robert Charles Wilson book Axis

Source: Axis (2007), Chapter 7 (pp. 92-93)

“Simply stated, this is one of the thumbnail passages that explain Seth's concept of God: "He is not human in your terms, though he passed through human stages; and here the Buddhist myth comes closest to approximating reality. He is not one individual, but an energy gestalt. If you remember what I said about the way in which the universe expands, that it has nothing to do with space, then you may perhaps dimly perceive the existence of a psychic pyramid of interrelated, ever-expanding consciousness that creates, simultaneously and instantaneously, universes and individuals that are given -- through the gifts of personal perspective -- duration, psychic comprehension, intelligence, and eternal validity.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 261

“If a composer could say what he had to say in words he would not bother trying to say it in music.”

Gustav Mahler (1860–1911) late-Romantic Austrian composer

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