
and with Britain in 1948 and 1956
Progress, Coexistence and Intellectual Freedom (1968), Dangers, Vietnam and the Middle East
Source: Free to Choose (1980), Ch. 1 “The Power of the Market”, p. 24
and with Britain in 1948 and 1956
Progress, Coexistence and Intellectual Freedom (1968), Dangers, Vietnam and the Middle East
“Why is it nobody understands me and everybody likes me?”
As quoted in New York Times article "The Einstein Theory of Living; At 65 he leads the simplest of lives — and grapples with the most complex thoughts." http://select.nytimes.com/gst/abstract.html?res=F00713FA3A58157A93C0A81788D85F408485F9 (12 March 1944)
Variants:
Why is it that nobody understands me, yet everybody likes me?
As quoted in The Dark Side of Shakespeare : An Elizabethan Courtier, Diplomat, Spymaster, & Epic Hero, p. 126 https://books.google.com/books?id=-5SxGKrTRUEC&pg=PA126 (2003) by W. Ron Hess
Everyone likes me, yet nobody understands me.
As quoted in "The culture of Einstein" at MSNBC (18 March 2005) http://www.msnbc.msn.com/id/7406337/
1940s
Paragraph 1 (p. 7 of Welcome to the Monkey House)
Welcome to the Monkey House (1968), "Harrison Bergeron" (1961)
“Work a lifetime to pay off a house — You finally own it and there's nobody to live in it.”
Willy
Death of a Salesman (1949)
Article from Soviet Russia Today
Salon interview (1997)
Cap. X - Bay of Pigs: On March 29, 1961 Senator Fulbright gave Kennedy a memorandum opposing moral and legal grounds.
A Thousand Days:John F.Kennedy in the White House (1965)
Source: Claudius the God (1935), Ch. 6.
Context: Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one's full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature. My little head with its worried face perched on my long neck, and the Adam's apple standing out almost like a second chin, shocked me. But Messalina said: "No, my dear, that's really what you look like. In fact, it is rather flattering than otherwise."
Source: The Professor at the Breakfast Table (1859), Ch. VI.