“A great man is the unbelieving man; he is without spiritual sight or spiritual hearing; his glory is in understanding his own understanding. It is he who subdues the forest, tames the beasts of the field to service. He goes alone in the dark, unafraid. He follows no man’s course, but, searches for himself; the priests cannot make him believe, nor the angels of heaven; none can subdue his judgment. He says: why permit others even priests, to think for you? Stand on your own feet – be a man. Through his arm are tyrants and evil kings overthrown. Through him are doctrines and religions sifted to the bottom and the falsehood and evil in them cast aside. Who but the Creator could have created so great a man as the unbeliever?”

— Kenneth Arnold

Paraphrasing a section from Oahspe: A New Bible by John Ballou Newbrough (1828–1891), p. 361, which he handed out as his " philosophy card http://www.blueblurrylines.com/2017/03/ufos-kenneth-arnold-and-american-bible.html".

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Kenneth Arnold 6

American aviator and businessman 1915–1984

Kenneth Arnold (1915–1984) American aviator and businessman

Kenneth Arnold's paraphrasing of a section from Oahspe: A New Bible by John Ballou Newbrough (1828–1891), p. 361, which he handed out as his " philosophy card http://www.blueblurrylines.com/2017/03/ufos-kenneth-arnold-and-american-bible.html".

“A man must make himself a man, he must enable himself to stand up on two legs, unafraid because he has confidence in his own security and in his own power. There is no place for emotionally or politically cuckolded people in the society I speak of. Survival of the fittest.”

William Powell (author) book The Anarchist Cookbook

Source: The Anarchist Cookbook (1971), Chapter Three: "Natural, Nonlethal, and Lethal Weapons", p. 93.

“In heav'n, the saint nor pity feels, nor care,
For those thus sentenced - pity might disturb
The delicate sense and most divine repose
Of spiritus angelical
Blessed be God,
The measure of his judgments is not fixed
By man's erroneous standard. He discerns
No such inordinate difference and vast
Betwixt the sinner and the saint, to doom
Such disproportion'd fates.
Compared with him,
No man on earth is holy called: they best
Stand in his sight approved, who at his feet
Their little crowns of virtue cast, and yield,
To him of his own works the praise, his due.”

Charles Lamb (1775–1834) English essayist

Composed at midnight, as quoted in The Poetical Works of Charles Lamb, p. 72.

“That Jesus Christ was not God is evident from his own words, where, speaking of the day of judgment, he says, "Of that day and hour knoweth no man, no not the angels which are in Heaven, neither the Son, but the Father." This is giving up all pretention to divinity, acknowledging in the most explicit manner, that he did not know all things, but compares his understanding to that of man and angels; "of that day and hour knoweth no man, no not the angels which are in heaven, neither the Son."”

Ethan Allen (1738–1789) American general

Thus he ranks himself with finite beings, and with them acknowledges, that he did not know the day and hour of judgment, and at the same time ascribes a superiority of knowledge to the father, for that he knew the day and hour of judgment.
Source: Reason: The Only Oracle Of Man (1784), Ch. IX Section III - The Imperfection of Knowledge in the Person of Jesus Christ, incompatible with his Divinity

“If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

“It's only when a man tames his own demons that he becomes the king of himself if not of the world.”

Joseph Campbell (1904–1987) American mythologist, writer and lecturer

Comments on a passage in Where the Wild Things Are (1963) by Maurice Sendak, as quoted by Bill Moyers in "NOW with Bill Moyers", PBS (12 March 2004) http://www.pbs.org/now/arts/sendak.html
Source: The Hero With a Thousand Faces

“Without self knowledge, without understanding the working and functions of his machine, man cannot be free, he cannot govern himself and he will always remain a slave.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

In Search of the Miraculous (1949)

“A man can stand a lot as long as he can stand himself. He can live without hope, without friends, without books, even without music, as long as he can listen to his own thoughts and to the singing of a bird outside his window and to the far-away voice of the sea.”

Axel Munthe book The Story of San Michele

Preface, 1928
The Story of San Michele (1929)

“Menippus is a bird decked in various feathers which are not his. He neither says nor feels anything, but repeats the feelings and sayings of others; it is so natural for him to make use of other people’s minds that he is the first deceived by it, and often believes he speaks his own mind or expresses his own thoughts when he is but the echo of some man he just parted with.”

Jean de La Bruyère book Les Caractères

Ménippe est l'oiseau paré de divers plumages qui ne sont pas à lui. Il ne parle pas, il ne sent pas; il répète des sentiments et des discours, se sert même si naturellement de l'esprit des autres qu'il y est le premier trompé, et qu'il croit souvent dire son goût ou expliquer sa pensée, lorsqu'il n'est que l'écho de quelqu'un qu'il vient de quitter.
Aphorism 40
Les Caractères (1688), Du mérite personnel

“A man must be himself convinced if he is to convince others. The prophet must be his own disciple, or he will make none. Enthusiasm is contagious: belief creates belief.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: A man must be himself convinced if he is to convince others. The prophet must be his own disciple, or he will make none. Enthusiasm is contagious: belief creates belief. There is no influence issuing from unbelief or from languid acquiescence. This is peculiarly noticeable in Art, because Art depends on sympathy for its influence, and unless the artist has felt the emotions he depicts we remain unmoved: in proportion to the depth of his feeling is our sympathetic response; in proportion to the shallowness or falsehood of his presentation is our coldness or indifference.

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