L'amour est une source naïve, partie de son lit de cresson, de fleurs, de gravier, qui rivière, qui fleuve, change de nature et d'aspect à chaque flot, et se jette dans un incommensurable océan où les esprits incomplets voient la monotonie, où les grandes âmes s'abîment en de perpétuelles contemplations.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart
“Throughout the whole range of Urdu literature in its first phase… the atmosphere of this literature is provokingly un-Indian - it is that of Persia. Early Urdu poets never so much as mention the great physical features of India - its Himalayas, its rivers like the Ganges, the Jamuna, the Sindhu, the Godavari, etc; but of course mountains and streams of Persia, and rivers of Central Asia are always there. Indian flowers, Indian plants are unknown; only Persian flowers and plants which the poet could see only in a garden. There was a deliberate shutting of the eye to everything Indian, to everything not mentioned or treated in Persian poetry… A language and literature which came to base itself upon an ideology which denied on the Indian soil the very existence of India and Indian culture, could not but be met with a challenge from some of the Indian adherents of their national culture; and that challenge was in the form of highly Sanskritized Hindi’.”
S.K. Chatterjee quoted in Aziz Ahmad, Studies In Islamic Culture in the Indian Environment, Oxford. 1964, pp. 252-55. https://archive.org/details/StudiesInIslamicCultureInTheIndianE
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Suniti Kumar Chatterji 2
Bengali linguist 1890–1977Related quotes
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In Zeenews, William Dalrymple's book on first Anglo-Afghan war out in December http://zeenews.india.com/entertainment/bookworm/william-dalrymple-s-book-on-first-anglo-afghan-war-out-in-december_2501.htm, IANS, 12 September 2012,