“You know the tender side of my work. That side was always dominating me. I feel the joy of that tenderness most strongly when I think of a finch-nest with cobweb and lichen on a May-morning.”
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Je kent de teedere kant van mijn werk. Die kant heeft me steeds overheerscht. Ik voel de blijdschap om dat teedere het sterkst als ik aan een vinkennest denk, met spinrag en korstmos op een mei-ochtend.
Quote, in a writing to his wife Anne, Nov. 1919, in Jan Mankes - kunstbeschouwingen van Albert Plasschaert & Just Havelaar; publisher J.A.A.M. van Es, Wassenaar, 1927; as cited by Susan van den Berg, in 'Tableau Fine Arts Magazine', 29e Jaargang, nummer 1, Feb/March 2007, p. 78
1915 - 1920
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Jan Mankes 11
Dutch painter 1889–1920Related quotes
in 'Undated notes' 1950; as quoted in The Art of Henry Moore, Will Grohmann, Thames and Hudson, London 1960, n.p.
1940 - 1955
The Roman Revolution ([1939] 2002), ch. 11.
Context: The political cant of a country is naturally and always most strongly in evidence on the side of the vested interests. In times of peace and prosperity it commands a wide measure of acquiescence, even of belief. Revolution rends the veil.
After a Dutch newspaper prematurely! reported his death in 1902
1870 - 1903
The phrase in French is found in Étienne Blanchard (1941), "Recueil d'idées", p. 76: "Quand je m'approche d'un enfant, il m'inspire deux sentiments: la tendresse pour ce qu'il est, et le respect pour ce qu'il peut être un jour." It doesn't give any reference, just like modern books which include the quote in English.
Disputed
