Henry Wadsworth Longfellow The Building of the Ship
Source: The Building of the Ship (1849), Lines 349-354.
A Foreword to Krazy (1946)
Context: This hero and villain no more understand Krazy Kat than the mythical denizens of a two dimensional realm understand some three dimensional intruder. The world of Offissa Pupp and Ignatz Mouse is a knowledgeable power-world, in terms of which our unknowledgeable heroine is powerlessness personified. The sensical law of this world is might makes right; the nonsensical law of our heroine is love conquers all. To put the oak in the acorn: Ignatz Mouse and Offissa Pupp (each completely convinced that his own particular brand of might makes right) are simple-minded—Krazy isn't—therefore, to Offissa Pupp and Ignatz Mouse, Krazy is. But if both our hero and our villain don't and can't understand our heroine, each of them can and each of them does misunderstand her differently. To our softhearted altruist, she is the adorably helpless incarnation of saintliness. To our hardhearted egoist, she is the puzzlingly indestructible embodiment of idiocy. The benevolent overdog sees her as an inspired weakling. The malevolent undermouse views her as a born target. Meanwhile Krazy Kat, through this double misunderstanding, fulfills her joyous destiny.
Henry Wadsworth Longfellow The Building of the Ship
Source: The Building of the Ship (1849), Lines 349-354.
Andrea Dworkin (1946–2005) Feminist writer
Speech, first delivered at Queens College, City University of New York (March 12, 1975). "The Sexual Politics of Fear and Courage", ch. 5, Our Blood (1976).
Brandon Boyd (1976) American rock singer, writer and visual artist
on his mom, Dolly Wiseman. Spin (October 2001)
L.J. Smith (1965) American author
Source: Night World, No. 2
Colette Dowling (1938)
Source: The Cinderella Complex: Women's Hidden Fear of Independence (1981), p. 114
Klaus Kinski (1926–1991) German actor
On his daughter, Nastassja. p. 286
Kinski Uncut : The Autobiography of Klaus Kinski (1996)