1790s, The Age of Reason, Part I (1794)
Context: But if objects for gratitude and admiration are our desire, do they not present themselves every hour to our eyes? Do we not see a fair creation prepared to receive us the instant we are born — a world furnished to our hands, that cost us nothing? Is it we that light up the sun, that pour down the rain, and fill the earth with abundance? Whether we sleep or wake, the vast machinery of the universe still goes on. Are these things, and the blessings they indicate in future, nothing to us? Can our gross feelings be excited by no other subjects than tragedy and suicide? Or is the gloomy pride of man become so intolerable, that nothing can flatter it but a sacrifice of the Creator?
“Wounded pride can take a rich young man far who has been surrounded by flatterers since birth.”
La vanité piquée peut mener loin un jeune homme riche et dès le berceau toujours environné de flatteurs.
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 13
Section 35
The Passionate State Of Mind, and Other Aphorisms (1955)
Context: Pride is a sense of worth derived from something that is not organically part of us, while self-esteem derives from the potentialities and achievements of the self. We are proud when we identify ourselves with an imaginary self, a leader, a holy cause, a collective body or possessions. There is fear and intolerance in pride; it is sensitive and uncompromising. The less promise and potency in the self, the more imperative is the need for pride. The core of pride is self-rejection.
It is true that when pride releases energies and serves as a spur to achievement, it can lead to a reconciliation with the self and the attainment of genuine self-esteem.
Atómstöðin (The Atom Station) (1948)
The Creators: A History of Heroes of the Imagination (1992) (Vintage edition, 1993, ), Preface, p. XV.
Context: These creators, makers of the new, can never become obsolete, for in the arts there is no correct answer. The story of discoverers could be told in simple chronological order, since the latest science replaces what went before. But the arts are another story — a story of infinite addition. We must find order in the random flexings of the imagination.
“What really flatters a man is that you think him worth flattering.”
1900s, John Bull's Other Island (1907)
