“The vision of the Divine presence ever takes the form which our circumstances most require.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.
The Spirit of Revolt (1880)
Context: How is it that men who only yesterday were complaining quietly of their lot as they smoked their pipes, and the next moment were humbly saluting the local guard and gendarme whom they had just been abusing, — how is it that these same men a few days later were capable of seizing their scythes and their iron-shod pikes and attacking in his castle the lord who only yesterday was so formidable? By what miracle were these men, whose wives justly called them cowards, transformed in a day into heroes, marching through bullets and cannon balls to the conquest of their rights? How was it that words, so often spoken and lost in the air like the empty chiming of bells, were changed into actions?
The answer is easy.
Action, the continuous action, ceaselessly renewed, of minorities brings about this transformation. Courage, devotion, the spirit of sacrifice, are as contagious as cowardice, submission, and panic.
What forms will this action take? All forms, — indeed, the most varied forms, dictated by circumstances, temperament, and the means at disposal. Sometimes tragic, sometimes humorous, but always daring; sometimes collective, sometimes purely individual, this policy of action will neglect none of the means at hand, no event of public life, in order to keep the spirit alive, to propagate and find expression for dissatisfaction, to excite hatred against exploiters, to ridicule the government and expose its weakness, and above all and always, by actual example, to awaken courage and fan the spirit of revolt.
“The vision of the Divine presence ever takes the form which our circumstances most require.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.
(Work and Education, p. 59).
Book Sources, The Wisdom of W.E.B. Du Bois (2003)
“One of the most powerful forms of information is feedback on our own actions.”
Step 5, p. 116
The Heart of Change, (2002)
La forme bâtarde de la culture de masse est la répétition honteuse: on répète les contenus, les schèmes idéologiques, le gommage des contradictions, mais on varie les formes superficielles: toujours des livres, des émissions, des films nouveaux, des faits divers, mais toujours le même sens.
"Modern," in The Pleasure of the Text (1975)
Speech in the House of Commons (11 November 1947), published in 206–07 The Official Report, House of Commons (5th Series), 11 November 1947, vol. 444, cc. http://hansard.millbanksystems.com/commons/1947/nov/11/parliament-bill#column_206
Post-war years (1945–1955)
"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)
Context: The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks.
The Paris Review Interview: "Joyce Cary, The Art of Fiction," No. 7. Fall-Winter 1954-1955.