
„Happiness is the feeling that power increases - that resistance is being overcome.“
— Friedrich Nietzsche German philosopher, poet, composer, cultural critic, and classical philologist 1844 - 1900
Source: The Anti-Christ
Letter to Lewis Campbell (9 November 1851) in Ch. 6 : Undergraduate Life At Cambridge October 1850 to January 1854 — ÆT. 19-22, p. 158
Context: I believe, with the Westminster Divines and their predecessors ad Infinitum that "Man's chief end is to glorify God and to enjoy him for ever."
That for this end to every man has been given a progressively increasing power of communication with other creatures.
That with his powers his susceptibilities increase. That happiness is indissolubly connected with the full exercise of these powers in their intended direction. That Happiness and Misery must inevitably increase with increasing Power and Knowledge. That the translation from the one course to the other is essentially miraculous, while the progress is natural. But the subject is too high. I will not, however, stop short, but proceed to Intellectual Pursuits.
— Friedrich Nietzsche German philosopher, poet, composer, cultural critic, and classical philologist 1844 - 1900
Source: The Anti-Christ
— Nicolaas Bloembergen Dutch-born American physicist 1920 - 2017
Nobel Prize Autobiography, from Les Prix Nobel. The Nobel Prizes 1980, Editor Wilhelm Odelberg, (Nobel Foundation), Stockholm (1981).
— Anne Brontë, book The Tenant of Wildfell Hall
Source: The Tenant of Wildfell Hall (1848), Ch. XLV : Reconciliation; Helen to Gilbert
— Sydney Smith English writer and clergyman 1771 - 1845
Quote reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 364
— Patrick Swift British artist 1927 - 1983
X magazine (1959-62)
Context: There is a sense, and a very exciting sense, in which art is moral. When Stendhal says a good picture is nothing but a construction in ethics, one recognises a truth about art which opens up vistas that are at the same time liberating and terrifying. The ethics of art are terrifying because real art by increasing our knowledge of ourselves increases in exactly the same proportion the ethical commitment.
— Louis L'Amour Novelist, short story writer 1908 - 1988
Source: Education of a Wandering Man
— Husayn ibn Ali The grandson of Muhammad and the son of Ali ibn Abi Talib 626 - 680
[Mizan al-Hikmah, Muhammadi Reishahri, Muhammad, Dar al-Hadith, 2010, 2, Qum, 186]
Regarding Wisdom
— Peter F. Drucker American business consultant 1909 - 2005
— John F. Kennedy 35th president of the United States of America 1917 - 1963
1962, Rice University speech
— Laurence Sterne, book The Life and Opinions of Tristram Shandy, Gentleman
Book II (1760), Ch. 3.
The Life and Opinions of Tristram Shandy, Gentleman (1760-1767)
— Jiddu Krishnamurti Indian spiritual philosopher 1895 - 1986
1950s, Education and the Significance of Life (1953)
— Isaiah Berlin Russo-British Jewish social and political theorist, philosopher and historian of ideas 1909 - 1997
Five Essays on Liberty (2002), From Hope and Fear Set Free (1964)
Context: Knowledge increases autonomy both in the sense of Kant, and in that of Spinoza and his followers. I should like to ask once more: is all liberty just that? The advance of knowledge stops men from wasting their resources upon delusive projects. It has stopped us from burning witches or flogging lunatics or predicting the future by listening to oracles or looking at the entrails of animals or the flight of birds. It may yet render many institutions and decisions of the present – legal, political, moral, social – obsolete, by showing them to be as cruel and stupid and incompatible with the pursuit of justice or reason or happiness or truth as we now think the burning of widows or eating the flesh of an enemy to acquire skills. If our powers of prediction, and so our knowledge of the future, become much greater, then, even if they are never complete, this may radically alter our view of what constitutes a person, an act, a choice; and eo ipso our language and our picture of the world. This may make our conduct more rational, perhaps more tolerant, charitable, civilised, it may improve it in many ways, but will it increase the area of free choice? For individuals or groups?
— Nicholas of Cusa, book De Docta Ignorantia
De Docta Ignorantia (On Learned Ignorance) (1440)
— Chinmayananda Saraswati Indian spiritual teacher 1916 - 1993
in A Treasury Of Inspirational Thoughts http://books.google.co.in/books?id=rdHW86GkUrMC&pg=PA68, p. 58
Quotations from Gurudev’s teachings, Chinmya Mission Chicago
— Roald Amundsen Norwegian polar researcher, who was the first to reach the South Pole 1872 - 1928
citation needed
— Carroll Quigley American historian 1910 - 1977
Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)
— Ellen G. White American author and founder/leader of the Seventh-Day Adventist Church 1827 - 1915
The Review and Herald (27 March 1890); also in Counsels for Writers and Editors http://books.google.de/books?id=UEM4uBD04asC&printsec=frontcover&dq=Counsels+to+writers+and+editors&cd=1#v=onepage&q&f=false (1946), p. 33; also in Evangelism http://books.google.de/books?id=gsy20ga71LEC&printsec=frontcover&dq=Ellen+Gould+Harmon+White+Evangelism&cd=1#v=onepage&q&f=false (1946), p. 296; also in 1888 - The Ellen G. White 1888 Materials (1987), Ch. 64, p. 547.
— Louis Brandeis American Supreme Court Justice 1856 - 1941
Testimony before the United States Senate, Committee On Interstate Commerce (December 14, 1911).
Extra-judicial writings
— Colin Wilson author 1931 - 2013
Source: The Strength To Dream (1961), p. 197
Context: No artist can develop without increasing his self-knowledge; but self-knowledge supposes a certain preoccupation with the meaning of human life and the destiny of man. A definite set of beliefs — Methodist Christianity, for example — may only be a hindrance to development; but it is not more so than Beckett's refusal to think at all. Shaw says somewhere that all intelligent men must be preoccupied with either religion, politics, or sex. (He seems to attribute T. E. Lawrence's tragedy to his refusal to come to grips with any of them.) It is hard to see how an artist could hope to achieve any degree of self-knowledge without being deeply concerned with at least one of the three.