
Piaget (1971, p.27) cited in: Ernst von Glasersfeld "Homage to Jean Piaget (1896–1980)". In: Irish Journal of Psychology, 18, pp. 293–306
Source: 1990s, "It’s Hard to Find a Good Lamp," 1993, p. 7; Lead paragraph; as cited in: Richard Padovan. Towards Universality: Le Corbusier, Mies and De Stijl, (2013), p. 82
Context: Eighteen years ago someone asked me to design a coffee table. I thought that a work of mine which was essentially a rectangular volume with the upper surface recessed could be altered. This debased the work and produced a bad table which I later threw away. The configuration and the scale of art cannot be transposed into furniture and architecture. The intent of art is different from that of the latter, which must be functional. If a chair or a building is not functional, if it appears to be only art, it is ridiculous... A work of art exists as itself; a chair exists as a chair itself.
Piaget (1971, p.27) cited in: Ernst von Glasersfeld "Homage to Jean Piaget (1896–1980)". In: Irish Journal of Psychology, 18, pp. 293–306
"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: Another thing is the magnificence of the churches. The church depends absolutely upon the rich. Poor people feel out of place in such magnificent buildings. They drop into the nearest seat; like poor relations, they sit on the extreme edge of the chair. At the table of Christ they are below the salt. They are constantly humiliated. When subscriptions are asked for they feel ashamed to have their mite compared with the thousands given by the millionaire. The pennies feel ashamed to mingle with the silver in the contribution plate. The result is that most of them avoid the church. It costs too much to worship God in public. Good clothes are necessary, fashionably cut.
Source: 1930s- 1950s, The Future of Industrial Man (1942), p. 96
“Justice is to social justice like a chair to an electric chair.”
Source: 1990s, "It’s Hard to Find a Good Lamp," 1993, p. 7; Quoted in: " Furniture http://www.juddfoundation.org/furniture/judd-furniture" at juddfoundation.org, 2014
Context: The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness and scale as a chair. These are proportion, which is visible reasonableness. The art in art is partly the assertion of someone's interest regardless of other considerations. A work of art exists as itself; a chair exists as a chair itself. And the idea of a chair isn't a chair.
quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935
Source: Specification of Digital Systems (1978), p. 29
“The jackdaw sat on the Cardinal’s chair!”
Poem: The Jackdaw of Rheims http://www.bartleby.com/246/108.html