“Of all heroes, Spinoza was Einstein's greatest. No one expressed more strongly than he a belief in the harmony, the beauty, and, most of all, the ultimate comprehensibility of nature.”

John Archibald Wheeler, in "Albert Einstein in Biographical Memoirs Vol. 51, by the National Academy of Sciences

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John Archibald Wheeler16

American physicist 1911–2008

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“Of all heroes, Spinoza was Einstein's greatest. No one expressed more strongly than he a belief in the harmony, the beauty, and most of all the ultimate comprehensibility of nature.”

John Archibald Wheeler (1911–2008) American physicist

"Albert Einstein" in Biographical Memoirs (1980) Vol. 51, National Academy of Sciences.

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

But it was inevitable that Auden should arrive at this point. His anxiety is fundamental; and the one thing that anxiety cannot do is to accept itself, to do nothing about itself — consequently it admires more than anything else in the world doing nothing, sitting still, waiting.

“Freud to Paul: The Stages of Auden’s Ideology”, p. 180
The Third Book of Criticism (1969)

“The greatest hero of Greece was Hercules. He was a personage of quite another order from the great hero of Athens, Theseus. He was what all Greece, except Athens, most admired. The Athenians were different from the other Greeks, and their hero therefore was different. Theseus was, of course, bravest of the brave, as all heroes are; but, unlike other heroes, he was as compassionate as he was brave, and a man of great intellect as well as great bodily strength. It was natural that the Athenians should have such a hero, because they valued thought and ideas, as no other part of the country did. In Theseus their ideal was embodied. But Hercules embodied what the rest of Greece most valued. His qualities were those the Greeks in general honored and admired. Except for unflinching courage, they were not those that distinguished Theseus. Hercules was the strongest man on earth, and he had the supreme self-confidence magnificent physical strength gives. He considered himself on an equality with the gods.”

Edith Hamilton book Mythology

Source: Mythology: Timeless Tales of Gods and Heroes (1942), Ch. 11

“What we are most anxious about is our anxiety itself: the greatest of all sins, Auden learns from Kafka, is impatience—and he decides that the hero “is, in fact, one who is not anxious.” But it was inevitable that Auden should arrive at this point. His anxiety is fundamental; and the one thing that anxiety cannot do is to accept itself, to do nothing about itself—consequently it admires more than anything else in the world doing nothing, sitting still, waiting.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Freud to Paul: The Stages of Auden’s Ideology”, p. 180
The Third Book of Criticism (1969)

“More often than not, a hero’s most epic battle is the one you never see; it’s the battle that goes on within him or herself.”

Kevin Smith (1970) American screenwriter, actor, film producer, public speaker and director

“this same Man-of-Letters Hero must be regarded as our most important modern person. He, such as he may be, is the soul of all.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters

“The hero of my tale, whom I love with all the power of my soul, whom I have tried to portray in all his beauty, who has been, is, and will be beautiful, is Truth.”

Leo Tolstoy (1828–1910) Russian writer

Sevastopol in May (1855), Ch. 16

“A villain who shares one's guilt is inevitably more attractive than a hero convinced of one's innocence.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Review of The Changeling, by Thomas Middleton (1961), p. 75
Tynan Right and Left (1967)

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

“Imagine that each of these layers of existence are like patterns. They're patterns within patterns within patterns within patterns, and there's a way of making all that harmonious. That's what music models. That's why music is so meaningful. You take a beautiful orchestral composition, and they're doing different things are different levels. But they all flow together harmoniously, and you're right in the middle of that as a listener. And it fills you almost with a sense of religious awe, even if you're a punk rock nihilist. The reason for that is because the music is modeling the manner of Being that's harmonious. It's the proper way to exist. Religious writings, in the deepest sense, are guidelines to that mode of Being. They're not true like scientific knowledge is true. They're hyper true, or meta-true. It's like this: if you take the most true things about your life, and then you take the most true things about ten other people's lives, and then we amalgamate them into a single figure. That would be like a literary hero. And then we take a thousands literary heroes and we extract out from them what makes the most heroic person - that's a religious deity. That's what Christ is. He's a meta-hero. And that sits at the bottom of Western Civilization. Christ's archetypal mode of Being is True Speech. That's the fundamental idea of Western Civilization, and it's right.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

“Of all heroes, Spinoza was Einstein's greatest. No one expressed more strongly than he a belief in the harmony, the beauty, and, most of all, the ultimate comprehensibility of nature.”

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John Archibald Wheeler16

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