"Church," p. 120
Essays in Disguise (1990)
“The novel has become a function of the fragmented society, the fragmented consciousness.”
Anna Wulf, in "Free Women: 1"<!-- p. 59 -->
The Golden Notebook (1962)
Context: The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it.
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Doris Lessing 94
British novelist, poet, playwright, librettist, biographer … 1919–2013Related quotes

The Education of Henry Adams (1907)

1960s, Playboy Interview (1969)

"The Prevention of Literature" (1946)
Context: Totalitarianism, however, does not so much promise an age of faith as an age of schizophrenia. A society becomes totalitarian when its structure becomes flagrantly artificial: that is, when its ruling class has lost its function but succeeds in clinging to power by force or fraud. Such a society, no matter how long it persists, can never afford to become either tolerant or intellectually stable. It can never permit either the truthful recording of facts or the emotional sincerity that literary creation demands. But to be corrupted by totalitarianism one does not have to live in a totalitarian country. The mere prevalence of certain ideas can spread a kind of poison that makes one subject after another impossible for literary purposes. Wherever there is an enforced orthodoxy — or even two orthodoxies, as often happens — good writing stops. This was well illustrated by the Spanish civil war. To many English intellectuals the war was a deeply moving experience, but not an experience about which they could write sincerely. There were only two things that you were allowed to say, and both of them were palpable lies: as a result, the war produced acres of print but almost nothing worth reading.

As quoted in Friedrich Engels's Origins of the Family, Private Property, and the State http://www.marxists.org/archive/marx/works/1884/origin-family/ch09.htm
On being told that her writing is energeticin “In a rare interview, Elena Ferrante describes the writing process behind the Neapolitan novels” https://www.latimes.com/books/la-ca-jc-elena-ferrante-interview-20180517-htmlstory.html in Los Angeles Times (2018 May 17)