“The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.”

—  Starhawk

As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.

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Starhawk 59
American author, activist and Neopagan 1951

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“You share in all the love there is. The goddess awakens in infinite forms and a thousand disguises. She is found where she is least expected, appears out of nowhere and everywhere to illumine the open heart.”

Starhawk (1951) American author, activist and Neopagan

Bodhi Tree lecture (1999)
Context: We join together to earth the power of the season and to slip between the worlds, the voices saying to every one of us, "Wake up, you are it, you are a part of the circle of the wise. There is no mystery that has not already been revealed to you. There is no power you do not already have. You share in all the love there is. The goddess awakens in infinite forms and a thousand disguises. She is found where she is least expected, appears out of nowhere and everywhere to illumine the open heart. She is singing, crying, moaning, wailing, shrieking, crooning to us, to be awake, to commit ourselves to life, to be a lover in the world and of the world, to join our voices in the single song of constant change and creation. For her law is to love all beings, and she is the cup of the drink of life. The circle is ever open, ever unbroken.

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“Thrust upon the throne, Elagabalus lacked the required discipline. For a while, Romans may well have been amused by his "Merrie Monarch" behavior, but he ended up offending those he needed to inspire.”

Elagabalus (203–222) Roman Emperor

Michael L. Meckler, in "Elagabalus (218-222 A.D.)" in De Imperatoribus Romanis : An Online Encyclopedia of Roman Emperors (1997) http://www.roman-emperors.org/elagabal.htm
Context: Scholars have often viewed the failure of Elagabalus' reign as a clash of cultures between "Eastern" (Syrian) and "Western" (Roman), but this dichotomy is not very useful. The criticisms of the emperor's effeminacy and sexual behavior mirror those made of earlier emperors (such as Nero) and do not need to be explained through ethnic stereotypes. With regard to religion, the emperor's promotion of the cult of the Emesene sun-god was certainly ridiculed by contemporary observers, but this cult was popular among soldiers and would remain so. Moreover, the cult continued to be promoted by later emperors of non-Syrian ethnicity, calling the god The Unconquered Sun (Sol Invictus).
Elagabalus is best understood as a teenager who was raised near the luxury of the imperial court and who then suffered a drastic change of fortune brought about by the sudden deaths — probably within one year — of his father, his grandfather and his cousin, the emperor Caracalla. Thrust upon the throne, Elagabalus lacked the required discipline. For a while, Romans may well have been amused by his "Merrie Monarch" behavior, but he ended up offending those he needed to inspire. His reign tragically demonstrated the difficulties of having a teenage emperor.

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“She is either the Mother Goddess or one of her creatures”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.

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