Referring to how he, after many years immersed in the science of graphics, had gained a stronger appreciation of the real world instead of getting detached from it, as he would see a few bars of light on the wall and think, Hey, that’s a diffuse specular reflection from the overhead lights reflected off the faucet, Quoted in David Kushner, Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture Epilogue, p. 234.
“I enlisted my readers in the service of a grand experiment, to see how my book could find its way into cultural relevance and commercial success. The experiment worked out very satisfactorily.”
"A note about this book, February 12, 2004"
Down and Out in the Magic Kingdom (2003)
Context: I released this book a little over a year ago under the terms of a Creative Commons license that allowed my readers to freely redistribute the text without needing any further permission from me. In this fashion, I enlisted my readers in the service of a grand experiment, to see how my book could find its way into cultural relevance and commercial success. The experiment worked out very satisfactorily.
When I originally licensed the book under the terms set out in the next section, I did so in the most conservative fashion possible, using CC's most restrictive license. I wanted to dip my toe in before taking a plunge. I wanted to see if the sky would fall: you see writers are routinely schooled by their peers that maximal copyright is the only thing that stands between us and penury, and so ingrained was this lesson in me that even though I had the intellectual intuition that a "some rights reserved" regime would serve me well, I still couldn't shake the atavistic fear that I was about to do something very foolish indeed.
It wasn't foolish.
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Cory Doctorow 53
Canadian-British blogger, journalist, and science fiction a… 1971Related quotes
Her notings in the diary when she was very ill in April 1915, quoted in "Diary notes and Meeting with Sri Aurobindo", also in Chapter 10 Return to France http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=_staticcontent/sriaurobindoashram/-00%20e-library@@@/-03%20disciples/k%20r%20srinivas%20iyengar/On%20The%20Mother/-12_Return%20to%20France.htm, p. 136
Source: The Politics of Experience (1967), Ch. 1 : Experience as evidence
Context: I see you, and you see me. I experience you, and you experience me. I see your behaviour. You see my behaviour. But I do not and never have and never will see your experience of me. Just as you cannot "see" my experience of you. My experience of you is not "inside" me. It is simply you, as I experience you. And I do not experience you as inside me. Similarly, I take it that you do not experience me as inside you.
"My experience of you" is just another form of words for "you-as-l-experience-you", and "your experience of me" equals "me-as-you-experience-me". Your experience of me is not inside you and my experience of you is not inside me, but your experience of me is invisible to me and my experience of you is invisible to you.
Sec. 41
The Gay Science (1882)
“I depict my life and experiences in my works of art.”
quoted by his sister Emmy Muellers in her 'Recollections'; as cited in Otto Mueller: A Stand-Alone Modernist, Dieter W. Posselt; 2006 / new edition 2010, Books on Demand, GmbH, Norderstedt, Germany - ISBN:978-3-8448-6866-1
In the cultural scene in London
Jeet Thayil on why 'Where are you from?' is a complicated question for all of us
Comment made to the press in 1976, quoted in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 260