“Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it.”

— Philip Pullman

Slate interview, 2015 http://www.slate.com/articles/arts/books/2015/11/philip_pullman_interview_the_golden_compass_author_on_young_adult_literature.single.html
Context: They’re often bracketed together, Tolkien and Lewis, which I suppose is fair because they were great friends — both Oxford writers and scholars, both Christians. Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it. The books are wholly male-oriented. The entire question of sexual relationships is omitted.

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Philip Pullman 161

English author 1946

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“His (C. S. Lewis's) work is not frivolous in the way that Tolkien is frivolous,”

Philip Pullman (1946) English author

Slate interview, 2015
Context: His (C. S. Lewis's) work is not frivolous in the way that Tolkien is frivolous, though it seems odd to call a novel of great intricacy and enormous popularity frivolous. I just don’t like the conclusions Lewis comes to, after all that analysis, the way he shuts children out from heaven, or whatever it is, on the grounds that the one girl is interested in boys. She’s a teenager! Ah, it’s terrible: Sex — can’t have that. And yet I respect Lewis more than I do Tolkien.

“We must enter into the spirit of the character [for making a portrait]: here the challenge is to place this figure in the human space, to work out what he represents in relation to other people, other human personalities; when you've worked this out, you're done. this truth has to stand out in the end result of the portrait.... when this task is complete, and the subject is placed in the realm of the dead that go on living, I hand over my work.”

Marino Marini (1901–1980) Italian sculptor

As quoted by the Marini Marini Museum: http://www.museomarinomarini.it/section.php?page=fondazione

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

“The battle between Good and Evil is a theme of much of fantasy. But I think the battle between Good and Evil is fought largely within the individual human heart, by the decisions that we make. It’s not like evil dresses up in black clothing and you know, they’re really ugly. These are some of the things that Tolkien did; he made them work fabulously, but in the hands of his imitators, they become total clichés. I mean the orc-like creatures who always do dress in black and… they’re really ugly and they’ve got facial deformities or something. You can tell that if somebody’s ugly, he must be evil. And then Tolkien’s heroes are all very attractive people and all that, of course, again this became cliché in the hands of the Tolkien imitators.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"GRRM Interview Part 2: Fantasy and History", interview with TIME Entertainment http://entertainment.time.com/2011/04/18/grrm-interview-part-2-fantasy-and-history/ (18 April 2011)

“Literature is the emotional biography of a human being who has dared to write it.”

José Baroja (1983) Chilean author and editor

Source: Interview. Portal.ucm.cl

“I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.”

Kurt Vonnegut book Palm Sunday

"Self-Interview", originally appeared in The Paris Review no. 69 (1977)
Palm Sunday (1981)

“Like literature, philosophy is not distinguished from other subjects by a specific approach to a subject-matter independent of it. Chemistry deals with chemicals, biology with life and astronomy with very large, very distant objects. Philosophy can boast no such definite subject-matter.”

David Wood (1946) British philosopher, born 1946

Source: Philosophy At The Limit (1990), Chapter 4, Philosophy As Writing: The Case Of Hegel, p. 69

“Tolkien made the wrong choice when he brought Gandalf back. Screw Gandalf. He had a great death and the characters should have had to go on without him.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

On a panel at Odyssey Con 2008 (April 2008)

“This work is not for the many; but in the unconscious, perfectly natural, irony of self-delusion, in all parts intelligible to the intelligent reader, without the slightest suspicion on the part of the autobiographer, I know of no equal in our literature…This and The Entail would alone suffice to place Galt in the first rank of contemporary novelists.”

John Galt (novelist) (1779–1839) British writer

Samuel Taylor Coleridge, manuscript note written in his copy of The Provost; cited from Thomas Middleton Raysor (ed.) Coleridge's Miscellaneous Criticism (Cambridge, Mass.: Harvard University Press, 1936), p. 344.
Criticism

“I think TV series, games, and general media have changed the way we tell stories. But books will remain. Technology has changed all the others arts: painting, theater, dancing, cinema, music. But literature is an absolutely intimate process between the writer’s voice and the reader’s mind, it is something so natural and strong that the only thing that technology could change is its support, its format, for example, if we read from a book or from an e-reader. But that doesn’t change the heart of literature.”

Samanta Schweblin (1978) Argentine writer

On the staying power of literature in “Samanta Schweblin on Revealing Darkness Through Fiction” https://lithub.com/samanta-schweblin-on-revealing-darkness-through-fiction/ in LitHub (2017 Jan 12)

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