
1950s, Three Ways of Meeting Oppression (1958)
1950s, Three Ways of Meeting Oppression (1958)
Context: There is such a thing as the freedom of exhaustion. Some people are so worn down by the yoke of oppression that they give up. A few years ago in the slum areas of Atlanta, a Negro guitarist used to sing almost daily: "Been down so long that down don't bother me." This is the type of negative freedom and resignation that often engulfs the life of the oppressed.
1950s, Three Ways of Meeting Oppression (1958)
Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter 1: The Cultural Logic of Late Capitalism
1950s, Three Ways of Meeting Oppression (1958)
“Now is the time to throw off the yoke, to force renegotiation of oppressive foreign debts”
Afro-Asian Conference (1965)
Context: Now is the time to throw off the yoke, to force renegotiation of oppressive foreign debts, and to force the imperialists to abandon their bases of aggression.
1960s, The Quest for Peace and Justice (1964)
Remarks by President Obama and Chancellor Merkel in an Exchange of Toasts on June 07, 2011. http://www.newsroomamerica.com/story/137358/remarks_by_president_obama_and_chancellor_merkel_in_an_exchange_of_toasts.html
Context: We see that living in freedom and defending freedom are two sides of one and the same coin, for the precious gift of freedom doesn’t come naturally, but has to be fought for, nurtured, and defended time and time again. Sometimes this may seem like an endless fight against windmills. But you see, my personal experience is a quite different one. What we dare not dream of today may well become reality tomorrow. Neither the chains of dictatorship nor the fetters of oppression can keep down the forces of freedom for long.
The True Levellers Standard Advanced (1649)
Méry promised!
quote of Manet, c. 1881; as cited in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 232
Méry Laurent was posing for Manet's painting 'Autumn', one work of Manet's series of the seasons, he painted in 1881 – she had ordered the pelisse from Worth for that posing]
1876 - 1883
“Master and slave wear the yoke together. Anarchy is the only true freedom.”
Source: Green Mars (1993), Chapter 1, “Areoformation” (p. 35)