Isaac Leib Peretz (1852–1915) Yiddish language author and playwright
"I Am a Rainworm", 1900, translated by Jacob Robbins. J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 83.
Song lyrics, Hounds of Love (1985), The Ninth Wave
Context: I was there at the birth,
Out of the cloudburst,
The head of the tempest.
Murderer!
Murder of calm…
Isaac Leib Peretz (1852–1915) Yiddish language author and playwright
"I Am a Rainworm", 1900, translated by Jacob Robbins. J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 83.
Billy Graham (1918–2018) American Christian evangelist
Statement prior to 1963, as quoted in Fit to Be Tied: Sterilization and Reproductive Rights in America, 1950-1980, (2011), Rebecca M. Kluchin, p. 44 https://books.google.com/books?id=fbXeTqBPiP8C&pg=PA44&dq=%22i+have+come+out+in+favor+of+birth+control%22&hl=en&sa=X&ved=0ahUKEwjgn5DY277MAhUEJiYKHQ6CBUoQ6AEINTAA#v=onepage&q=%22i%20have%20come%20out%20in%20favor%20of%20birth%20control%22&f=false
Guillaume de Salluste Du Bartas (1544–1590) French writer
First Week, First Day. Compare: "I had not time to lick it into form, as a bear doth her young ones", Robert Burton, Anatomy of Melancholy. Democritus to the Reader.
La Semaine; ou, Création du monde (1578)
“There's a guy chasing me!" I called as I headed out the door.”
Richelle Mead book Last Sacrifice
Source: Last Sacrifice
Joe Orton (1933–1967) English playwright and author
Sunday 25 December 1966 (p. 38)
The Orton Diaries (1986)
Ray Bradbury (1920–2012) American writer
The Paris Review interview (2010)
Context: Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things.
Klaus Kinski (1926–1991) German actor
Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 2
“I wish you’d find the exit out of my head.”
Sylvia Plath (1932–1963) American poet, novelist and short story writer
“I went out to the hazelwood because a fire was in my head.”
W.B. Yeats (1865–1939) Irish poet and playwright