
As quoted in C. F. Main & Peter J. Seng, Poems (Wadsworth Publishing Company, 1973), p. 3
Source: Everybody’s Autobiography (1937), Ch. 3
Context: Would I if I could by pushing a button would I kill five thousand Chinamen if I could save my brother from anything. Well I was very fond of my brother and I could completely imagine his suffering and I replied that five thousand Chinamen were something I could not imagine and so it was not interesting.
One has to remember that about imagination, that is when the world gets dull when everybody does not know what they can or what they cannot really imagine.
As quoted in C. F. Main & Peter J. Seng, Poems (Wadsworth Publishing Company, 1973), p. 3
Source: 1980s and later, The Fatal Conceit: The Errors of Socialism (1988), Ch. 5: The Fatal Conceit.
Context: Whereas, in fact, specialised students, even after generations of effort, find it exceedingly difficult to explain such matters, and cannot agree on what are the causes or what will be the effects of particular events. The curious task of economics is to demonstrate to men how little they really know about what they imagine they can design.
To the naive mind that can conceive of order only as the product of deliberate arrangement, it may seem absurd that in complex conditions order, and adaptation to the unknown, can be achieved more effectively by decentralizing decisions and that a division of authority will actually extend the possibility of overall order. Yet that decentralization actually leads to more information being taken into account.
“What cannot be imagined cannot even be talked about.”
Journal entry (12 October 1916), p. 84e
1910s, Notebooks 1914-1916
Martin Pippin in the Apple Orchard (1922)
Context: The world never knows, and cannot for the life of it imagine, what this man sees in that maid and that maid in this man. The world cannot think why they fell in love with each other. But they have their reason, their beautiful secret, that never gets told to more than one person; and what they see in each other is what they show to each other; and it is the truth. Only they kept it hidden in their hearts until the time came. And though you and I may never know why this lane is called Shelley's, to us both it will always be the greenest lane in Sussex, because it leads to the special secret I spoke of.
'Bitter Seeds: Solzhenitsyn
Essays and reviews, At the Pillars of Hercules (1979)
"Quotes", The Educated Imagination (1963), Talk 6: The Vocation of Eloquence
Source: He's Just Not That Into You: The No-Excuses Truth to Understanding Guys
McKenna interview (1992)
Context: I love child things because there's so much mystery when you're a child. When you're a child, something as simple as a tree doesn't make sense. You see it in the distance and it looks small, but as you go closer, it seems to grow — you haven't got a handle on the rules when you're a child. We think we understand the rules when we become adults but what we really experienced is a narrowing of the imagination.
“What the horrors of war are, no one can imagine”
they are not wounds and blood and fever, spotted and low, or dysentery, chronic and acute, cold and heat and famine — they are intoxication, drunken brutality, demoralization and disorder on the part of the inferior, jealousies, meanness, indifference, selfish brutality on the part of the superior.
Letter (5 May 1855), published in Florence Nightingale : An Introduction to Her Life and Family (2001), edited by Lynn McDonald, p. 141