Requiem; 1935-1940 (1963; 1987), Epilogue
Context: I have learned how faces fall to bone,
how under the eyelids terror lurks,
how suffering inscribes on cheeks
the hard lines of its cuneiform texts,
how glossy black or ash-fair locks
turn overnight to tarnished silver,
how smiles fade on submissive lips,
and fear quavers in a dry titter.
And I pray not for myself alone..
for all who stood outside the jail,
in bitter cold or summer's blaze,
with me under that blind red wall.
“I looked at the jail that secluded me from men and it was no longer by its high walls that I was imprisoned; no, it was Vasudeva who surrounded me.”
The Uttarpara Address (1909)
Context: I looked at the jail that secluded me from men and it was no longer by its high walls that I was imprisoned; no, it was Vasudeva who surrounded me. I walked under the branches of the tree in front of my cell but it was not the tree, I knew it was Vasudeva, it was Sri Krishna whom I saw standing there and holding over me his shade. I looked at the bars of my cell, the very grating that did duty for a door and again I saw Vasudeva. It was Narayana who was guarding and standing sentry over me. Or I lay on the coarse blankets that were given me for a couch and felt the arms of Sri Krishna around me, the arms of my Friend and Lover. This was the first use of the deeper vision He gave me. I looked at the prisoners in the jail, the thieves, the murderers, the swindlers, and as I looked at them I saw Vasudeva, it was Narayana whom I found in these darkened souls and misused bodies.
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Sri Aurobindo 224
Indian nationalist, freedom fighter, philosopher, yogi, gur… 1872–1950Related quotes
Kodachrome
Song lyrics, There Goes Rhymin' Simon (1973)
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Ik heb hier zoveel drukken gecomponeerd uit de onmiddellijke omgeving om mij heen, beginnende met de schoorstenen en de duiven en de voorbijvarende schepen, het trappenhuis, het doolhof van gangen en deuren, de gekke combinaties van balken en beschotten..
In a letter to August Henkels, 29 April 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's
"Avant-garde and Kitsch" (p. 85)
Modern Culture (2000)
1960s, Voting Rights Act signing speech (1965)
Context: If you do this, then you will find, as others have found before you, that the vote is the most powerful instrument ever devised by man for breaking down injustice and destroying the terrible walls which imprison men because they are different from other men.
The Confession (c. 452?)