
Part 1, Book 1, ch. 2, sect. 7.
Philosophy of the Inductive Sciences (1840)
Source: Psychology and the Human Dilemma (1967), p. 20
Context: I have described the human dilemma as the capacity of man to view himself as object and as subject. My point is that both are necessary — necessary for psychological science, for effective therapy, and for meaningful living. I am also proposing that in the dialectical process between these two poles lies the development, and the deepening and widening, of human consciousness. The error on both sides — for which I have used Skinner and the pre-paradox Rogers as examples — is the assumption that one can avoid the dilemma by taking one of its poles. It is not simply that man must learn to live with the paradox — the human being has always lived in this paradox or dilemma, from the time that he first became aware of the fact that he was the one who would die and coined a word for his own death. Illness, limitations of all sorts, and every aspect of our biological state we have indicated are aspects of the deterministic side of the dilemma — man is like the grass of the field, it withereth. The awareness of this, and the acting on this awareness, is the genius of man the subject. But we must also take the implications of this dilemma into our psychological theory. Between the two horns of this dilemma, man has developed symbols, art, language, and the kind of science which is always expanding in its own presuppositions. The courageous living within this dilemma, I believe, is the source of human creativity.
Part 1, Book 1, ch. 2, sect. 7.
Philosophy of the Inductive Sciences (1840)
Part 4, 1979 - 1984 "Welcome to the 1980's", p. 322
Memoirs (1993)
"Subjective and Objective," in Mortal Questions, Cambridge University Press, 1979, p. 196.
Kein Mensch kann sich selbst je verstehen, denn dazu müßte er aus sich selbst herausgehen, dazu müßte das Subjekt des Erkennens und Wollens Objekt werden können: ganz wie, um das Universum zu verstehen, ein Standpunkt noch außerhalb des Universums erforderlich wäre.
Source: Sex and Character (1903), pp. 105-106.
The Rainbow of Desire (1995)
Context: Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity. The self-knowledge thus acquired allows him to be the subject (the one who observes) of another subject (the one who acts). It allows him to imagine variations of his action, to study alternatives. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
“Perhaps the only true dignity of man is his capacity to despise himself.”
Introduction to The Ethics of Spinoza (1910)