“I know but one man, of more than miserable intellect, who in these modern times has dared defend eternal punishment on the score of justice, and that is Leibnitz”
Letter II
The Nemesis of Faith (1849)
Context: I know but one man, of more than miserable intellect, who in these modern times has dared defend eternal punishment on the score of justice, and that is Leibnitz; a man who, if I know him rightly, chose the subject from its difficulty as an opportunity for the display of his genius, and cared so little for the truth that his conclusions did not cost his heart a pang, or wring a single tear from him. And what does Leibnitz say? That sin, forsooth, though itself be only finite, yet, because it is against an Infinite Being, contracts a character of infinity, and so must be infinitely punished. It is odd that the clever Leibnitz should not have seen that a finite punishment, inflicted by the same Infinite Being, would itself of course contract the same character of infinity.
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James Anthony Froude 111
English historian, novelist, biographer, and editor of Fras… 1818–1894Related quotes

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The Paris Review interview (1984)
Context: I found ancestors, like Shakespeare, who said, in Macbeth, that the world is full of sound and fury, a tale told by an idiot, signifying nothing. Macbeth is a victim of fate. So is Oedipus. But what happens to them is not absurd in the eyes of destiny, because destiny, or fate, has its own norms, its own morality, its own laws, which cannot be flouted with impunity. Oedipus sleeps with his Mummy, kills his Daddy, and breaks the laws of fate. He must pay for it by suffering. It is tragic and absurd, but at the same time it’s reassuring and comforting, since the idea is that if we don’t break destiny’s laws, we should be all right. Not so with our characters. They have no metaphysics, no order, no law. They are miserable and they don’t know why. They are puppets, undone. In short, they represent modern man. Their situation is not tragic, since it has no relation to a higher order. Instead, it’s ridiculous, laughable, and derisory.

The Plague (1947)
Context: There always comes a time in history when the person who dares to say that 2+2=4 is punished by death. And the issue is not what reward or what punishment will be the outcome of that reasoning. The issue is simply whether or not 2+2=4.

“Those who dare to fail miserably can achieve greatly.”