
"A Pictorial Biography" (Tate Publishing, London, 1970)
1961 - 1975
Ch 2 : The Nature of Creativity, p. 54
The Courage to Create (1975)
Context: In this sense genuine artists are so bound up with their age that they cannot communicate separated from it. In this sense, too, the historical situation conditions the creativity. For the consciousness which obtains in creativity is not the superficial level of objectified intellectualization, but is an encounter with the world on a level that undercuts the subject-object split. "Creativity" to rephrase our definition, “is the encounter of the intensively conscious human being with his or her world.”
"A Pictorial Biography" (Tate Publishing, London, 1970)
1961 - 1975
Source: The Meaning of God in Human Experience (1912), Ch. XVI : The Original Sources of the Knowledge of God, p. 235.
“This is an age in which one cannot find common sense without a search warrant.”
Column, May 9, 1996, "FDR's memorial hides character" http://articles.baltimoresun.com/1996-05-09/news/1996130096_1_memorial-felix-frankfurter-cigarette-holder at baltimoresun.com
1990s
The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
Sermons, Sermon 3
Context: Children, to be truly in this stage is the deepest ground of genuine humility and annihilation. This, in truth, cannot be grasped by the senses. For here he receives the most If we had here with us a human being in his primal nobility, pure as Adam in paradise... his simple nature unadorned — that person would be so luminous and pure, so ravishing and richly favoured by God that no one would be able to comprehend his purity nor with his reason conceive of it profound insight possible into his nothingness. Here he sinks as deep as it is possible into the ground of humility; the deeper, the higher, because here high and deep are one and the same... In this state one achieves true unity of prayer spoken of in the epistle that truly brings it about that a person becomes one with God
As quoted in Paul Klee, 1879-1940 (2000) by w:Susanna Partsch, p. 47
Source: Nonconformity (1953/1996)
Context: You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. Compassion is all to the good, but vindictiveness is the verity Faulkner forgot: the organic force in every creative effort, from the poetry of Villon to the Brinks Express Robbery, that gives shape and color to all our dreams. [... ] A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery. The strong-armer isn't out merely to turn a fast buck any more than the poet is out solely to see his name on the cover of a book, whatever satisfaction that event may afford him. What both need most deeply is to get even. And, of course, neither will.
Anatol Rapoport (1956), as quoted in: Richard C. Huseman (1977) Readings in interpersonal & organizational communication. p. 35
1950s