The Rhythm of Time
Context: It is found in every light of hope,
It knows no bounds nor space
It has risen in red and black and white,
It is there in every race. It lies in the hearts of heroes dead,
It screams in tyrants’ eyes,
It has reached the peak of mountains high,
It comes searing ‘cross the skies. It lights the dark of this prison cell,
It thunders forth its might,
It is "the undauntable thought", my friend,
That thought that says "I'm right!"
“This power of remotest question and assent is not of to-day nor yesterday.
It transcends all bounds of time and space.”
Beyond the Veil
Context: The reason which placed the stars, the sense of proportion which we recognize in the planetary system, finds its correspondence in this brain of ours. We question every feature of what we see, think, and feel. We try every link of the chain and find it sound if we ourselves are sound. This power of remotest question and assent is not of to-day nor yesterday.
It transcends all bounds of time and space. It weighs the sun, explores the pathway of the stars, and writes, having first carefully read, the history of earth and heaven. It moves in company with the immortals. How much of it is mortal? Only so much as a small strip of earth can cover. These remains are laid away with reverence, having served their time. But what has become of the wonderful power which made them alive? It belongs to that in nature which cannot die.
Help us to complete the source, original and additional information
Julia Ward Howe 40
American abolitionist, social activist, and poet 1819–1910Related quotes
“I am neither bound to say why I came to this city nor to answer the other questions put to me.”
Quote from a report of the municipal of Toledo, c. September 1579; as cited by Albert F. Calvert, and Catherine Gasquoine-Hartley in: The Spanish Series - El Greco; an account of his life and works; publisher, London: J. Lane; New York: J. Lane Co, 1909, p. 76
this answer El Greco gave to the Mayor of Toledo, when asked - in connection with the writ served on him for the commissioned painting 'The Disrobing of Christ / The Expolio' - whether he had been brought to Toledo to paint the retablo of Santo Domingo (containing 15 paintings of El Greco https://en.wikipedia.org/wiki/El_Greco#/media/File:Domenikos_Theotok%C3%B3poulos,_called_El_Greco_-_The_Assumption_of_the_Virgin_-_Google_Art_Project.jpg)
Still. A. T., Journal of Osteopathy, p. 127. https://www.atsu.edu/museum/subscription/pdfs/JournalofOsteopathyVol5No31898August.pdf/.
“Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.”
The Sun Rising, stanza 1
Song for St. Cecilia's Day (1692).
Context: Consecrate the place and day
To music and Cecilia.
Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep up the loud harmonious song,
And imitate the blest above,
In joy, and harmony, and love.
Source: The Reader Over Your Shoulder (1943), Ch.4: "The Use and Abuse of Official English"
Context: The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements.
The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion.
The Rubaiyat (1120)