Source: 1980s, Literary Theory: An Introduction (1983), Chapter 2, p. 48
“The consciousness that says 'I am' is not the consciousness that thinks.”
Jane Sinnett, trans 1846 p. 47
The Vocation of Man (1800), Knowledge
De Abaitua interview (1998)
Context: All of us collectively are fumbling towards an apprehension of something that feels like a kind of group awareness – we are trying to feel the shape of it, it’s not here yet, and a lot of us are probably saying a lot of silly things. That’s understandable. There is something strange looming on the human horizon. If you draw a graph of all our consciousness, there is a point we seem to be heading towards. Our physics, our philosophy, our art, our literature – there is a kind of coherence there, it may look disorganised at first glance, but there is a fumbling towards a new way of apprehending of certain basic fundamentals.
The Tragic Sense of Life (1913), II : The Starting-Point
Context: The truth is sum, ergo cogito — I am, therefore I think, although not everything that is thinks. Is not consciousness of thinking above all consciousness of being? Is pure thought possible, without consciousness of self, without personality? Can there exist pure knowledge without feeling, without that species of materiality which feelings lends to it? Do we not perhaps feel thought, and do we not feel ourselves in the act of knowing and willing? Could not the man in the stove [Descartes] have said: "I feel, therefore I am"? or "I will, therefore I am"? And to feel oneself, is it not perhaps to feel oneself imperishable?
Thus It Is, 1989, p. 151
As of a Trumpet, On Eagle's Wings, Thus It Is
Source: The Struggle of the Modern (1963), Ch. 5
Context: The prose method might be described as that where the writer provides a complete description of all those material factors in the environment which condition his characters. The poetic method sees the centre of consciousness as the point where all that is significant in the surrounding world becomes aware and transformed; the prose method requires a description of that world in order to explain the characteristics of the people in it. The hero of the poetic method is Rimbaud; of the prose method, Balzac.
