
“I seem to have run in a great circle, and met myself again on the starting line.”
Source: Oranges Are Not the Only Fruit
The Paris Review interview
Context: I see now that when we met, my writing, like hers, left its old path and started to circle and search. To me, of course, she was not only herself — she was America and American literature in person. I don’t know what I was to her. Apart from the more monumental classics — Tolstoy, Dostoyevsky, and so on — my background reading was utterly different from hers. But our minds soon became two parts of one operation. We dreamed a lot of shared or complementary dreams. Our telepathy was intrusive. I don’t know whether our verse exchanged much, if we influenced one another that way — not in the early days. Maybe others see that differently. Our methods were not the same. Hers was to collect a heap of vivid objects and good words and make a pattern; the pattern would be projected from somewhere deep inside, from her very distinctly evolved myth. It appears distinctly evolved to a reader now — despite having been totally unconscious to her then. My method was to find a thread end and draw the rest out of a hidden tangle. Her method was more painterly, mine more narrative, perhaps.
“I seem to have run in a great circle, and met myself again on the starting line.”
Source: Oranges Are Not the Only Fruit
Room Full Of Mirrors
Song lyrics, Rainbow Bridge (1971)
Context: I used to live in a room full of mirrors,
All I could see was me.
Then I take my spirit and I smash my mirrors,
And now the whole world is here for me to see,
Now I'm searching for my love to be.
Source: Attributed, Poems of Sadness: The Erotic Verse of the Sixth Dalai Lama Tsangyang Gyatso tr. Paul Williams 2004, p.52
Chico Enterprise Record http://www.chicoer.com/buzz/ci_4825293 (December 12, 2006)