
On Practice (1937)
VII, 3, 8, 1325b16–20
Politics
On Practice (1937)
On Representative Government (1861)
“Goethe; or, the Writer,” pp. 271-272
1850s, Representative Men (1850)
The Art of Loving (1956)
Context: Envy, jealousy, ambition, any kind of greed are passions; love is an action, the practice of human power, which can be practiced only in freedom and never as a result of compulsion.
Love is an activity, not a passive affect; it is a "standing in," not a "falling for." In the most general way, the active character of love can be described by stating that love is primarily giving, not receiving.
Ibid., p. 110
The Book of Disquiet
Original: A superioridade do sonhador consiste em que sonhar é muito mais prático que viver, e em que o sonhador extrai da vida um prazer muito mais vasto e muito mais variado do que o homem de acção. Em melhores e mais directas palavras, o sonhador é que é o homem de acção.
Source: The Kama Sutra of Vatsyayana: Translated From the Sanscrit in Seven Parts With Preface, Introduction and Concluding Remarks http://books.google.com/books?id=SbEZWRTwsToC&pg=PT27, Library of Alexandria, p. 27
Address to the Democratic National Convention http://www.americanrhetoric.com/speeches/huberthumphey1948dnc.html (July 14, 1948), Convention Hall, Philadelphia.
“The Obscurity of the Poet”, p. 24
Poetry and the Age (1953)
Context: People always ask: For whom does the poet write? He needs only to answer, For whom do you do good? Are you kind to your daughter because in the end someone will pay you for being?... The poet writes his poem for its own sake, for the sake of that order of things in which the poem takes the place that has awaited it.
"The Origins and Effects of Our Morals: A Problem for Science", in The Essence of Hayek (1984)
1980s and later