
Source: The Political Thought of Abdullah Ocalan (2017), Liberating Life: Women's Revolution, pp. 79
The Voluntary Movie Rating System (2004)
Context: By summer of 1966, the national scene was marked by insurrection on the campus, riots in the streets, rise in women's liberation, protest of the young, doubts about the institution of marriage, abandonment of old guiding slogans, and the crumbling of social traditions. It would have been foolish to believe that movies, that most creative of art forms, could have remained unaffected by the change and torment in our society.
The result of all this was the emergence of a "new kind" of American movie — frank and open, and made by filmmakers subject to very few self-imposed restraints.
Source: The Political Thought of Abdullah Ocalan (2017), Liberating Life: Women's Revolution, pp. 79
Preface to The Autumn in the Spring (May 1932)
Context: The unreasonable social system, the marriage without freedom, the yoke of traditional ideas, and the family autocracy, destroyed we don't know how many young souls. In my twenty eight years, I already had it accumulated so many, so many shadows. In that autumn smile, in that smiling which was the same as crying, I saw the young people's corpses in the whole past generation. It was as if I heard a painful sound saying: "This must be ended."
Prospect Magazine, Why Brexit is a chance for national renewal, 13 March 2017 https://www.prospectmagazine.co.uk/magazine/why-brexit-is-a-chance-for-national-renewal
“Marriage made people old and familiar, while still young.”
Ylla (1950)
The Martian Chronicles (1950)
Ill Fares the Land (2010), Conclusion: What Is Living and What Is Dead in Social Democracy?
"As She Lay Dying," http://www.wnd.com/news/article.asp?ARTICLE_ID=43500 WorldNetDaily.com, March 26, 2005.
2000s, 2005