
"Suni Lee talks gold medal win, 'cherished' backyard balance beam she trained on as a kid" in Today (30 July 2021) https://www.today.com/news/suni-lee-talks-gold-medal-win-i-still-can-t-t226952
1984
Context: On technology: "That’s probably why I don’t rush out to buy all the latest technology. In fact, I find it quite boring at the moment, simply because so much of it is just technology — nothing more. I buy something if it really appeals to me, if I think it will add another dimension to what I have at the moment. Don’t misunderstand me: I think it is important to have as many different instruments as possible, with different libraries of sounds, and different characteristics. But some people adopt the attitude that if they had enough money they could have all the machinery they wanted, and that would somehow make their music better. That’s simply not the case... This is another reason why it’s important not to become obsessed with technology. You’ve got to remember that however a sound is generated — acoustically, electronically digitally - it’s still just a sound, a part of nature".
"Suni Lee talks gold medal win, 'cherished' backyard balance beam she trained on as a kid" in Today (30 July 2021) https://www.today.com/news/suni-lee-talks-gold-medal-win-i-still-can-t-t226952
60 Minutes interview (2005)
“There is nothing — absolutely nothing — half so much worth doing as simply messing about in boats.”
Rat, Ch. 1
Variant: There’s nothing––absolutely nothing––half so much worth doing as messing about in boats.
Source: The Wind in the Willows (1908)
Context: There is nothing — absolutely nothing — half so much worth doing as simply messing about in boats. In or out of ‘em, it doesn’t matter. Nothing seems really to matter, that’s the charm of it. Whether you get away, or whether you don’t; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you’re always busy, and you never do anything in particular; and when you’ve done it there’s always something else to do.
As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.
Alfred P. Sloan, in: General Motors, News and Views. (1945), p. 1;