“Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.”

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Ben Hecht32

American screenwriter 1894–1964

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“[R]eason and faith can come to each other's assistance. Only together will they save man. Entranced by an exclusive reliance on technology, reason without faith is doomed to flounder in an illusion of its own omnipotence. Faith without reason risks being cut off from everyday life”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2009, Cartias in Vertitate (29 June 2009)

“Faith in natural order and market efficiency forecloses a full normative assessment of market outcomes. … It effectively depoliticizes the market itself and its outcomes. It is only when the illusion of natural order is lifted that a real problem arises: that of the justice of the organizational rules and their distributional consequences.”

Bernard Harcourt (1963) American academic

Source: The Illusion of Free Markets: Punishment and the Myth of Natural Order (2011), p. 32

“Faith feels itself secure neither with universal consent, nor with tradition, nor with authority. It seeks support of its enemy, reason.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

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“In the beginning there was faith - which is childish; trust - which is vain; and illusion - which is dangerous.”

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“I had lost of humanity but its illusions, and they alone are what render it supportable.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

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“It may fairly be claimed that humanity has, within the past hundred years, found a way of carrying a theatre in its pocket; and so long as humanity remains what it is, it will delight in taking out its pocket-stage and watching the antics of the actors, who are so like itself and yet so much more interesting. Perhaps that is, after all, the best answer to the question, “What is a novel?” It is, or ought to be, a pocket-stage. Scenery, light, shade, the actors themselves, are made of words, and nothing but words, more or less cleverly put together. A play is good in proportion as it represents the more dramatic, passionate, romantic, or humorous sides of real life. A novel is excellent according to the degree in which it produces the illusions of a good play—but it must not be forgotten that the play is the thing, and that illusion is eminently necessary to success.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

The Novel: What It Is (1893)

“The illusion of free will… is itself an illusion.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris at Sydney Opera House Festival of Dangerous Ideas 2012, Discussion on Free Will http://www.youtube.com/watch?v=JM3raA1EwrI. <br class="br">2010s <br class="br">Context: The illusion of free will... is itself an illusion. There is no illusion of free will. Thoughts and intentions simply arise. What else could they do? Now, some of you might think this sounds depressing, but it's actually incredibly freeing to see life this way. It does take something away from life: what it takes away from life is an egocentric view of life. We're not truly separate: we are linked to one another, we are linked to the world, we are linked to our past, and to history. And what we do actually matters because of that linkage, because of the permeability, because of the fact that we can't be the true locus of responsibility. That's what makes it all matter.

“I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control.”

Amy Tan The Joy Luck Club

Source: The Joy Luck Club (1989), Ch. 7, pg. 121

“[E]ither everything is illusion, nature as well as revelation, or experience alone can explain faith.”

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“Art is the illusion of disorientation, the illusion of liberty, the illusion of presence, the illusion of the sacred, the illusion of Nature. … Not the painting of Buren, Mosset, Parmentier or Toroni…. Art is a distraction, art is false. Painting begins with Buren, Mosset, Parmentier, Toroni.”

Daniel Buren (1938) sculptor from France

Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni, at the Paris Biennale in October 1967. Translated and cited in: Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, (1973), p. 30.
1960s

“Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.”

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